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cried: If ever there was a case of God’s hand being needed in mortal affairs —
    Abigail shook her head, her heart aching at the desperation in the young man’s voice.
    The clock in the brick turret of Faneuil Hall chimed ten thirty. Abigail drew her skirts aside from barrows of country apples, wet from the rain. Pens of sheep blocked her way; crates of fish, drying now and several hours out of the sea: By the time I can do my marketing they’ll be stale, and the best will be gone . . .
    But her steps did not pause. If I am to see him at all, I must see him first. Before the Watch.
    Her mind chased Rebecca’s voice back along a corridor of memory.
    They’re spying on me. I know they’re spying on me. All except Catherine—my maid—and he has the other servants spy on her . I dread he’ll send her away, and get some creature of his own, like that horrid Mrs. Jewkes in Pamela . That had been earlier, before she’d left Charles Malvern’s house: only weeks after she and Abigail had first met. When she’d wept then, the lace border of her handkerchief had been wider than the linen it surrounded.
    I used to laugh at Pamela , but I swear I feel like that wretched ninny these days. Rebecca had never had much use for Abigail’s favorite novel, or its saintly heroine. He actually did lock me up, for nearly a week. He’s said he will again, if he hears I’ve come here to see you. “I will not be defied in my own house,” he says. The servants seemed to think nothing of it. And no one will help, because like Pamela ’s Mr. B, he can hurt them in their pocketbooks—
    And it was true, Abigail knew, that the innkeeper from whom Rebecca had first rented chambers in October of ’70 had been nearly driven out of business by the prices Malvern and his network of merchant cronies had demanded of him for victuals and wood. The same thing had happened to the second room she had rented, early in the summer of ’72. The Adamses had returned to Braintree by then and Abigail had asked her to move into the crowded little farmhouse, but again Rebecca had refused. I can’t live with you and John forever , she’d said, but Abigail had been aware at the time that Charles Malvern’s youngest child, four-year-old Nathan, had been ill. Though Rebecca was estranged from her little stepson’s father, still she would not leave Boston. She had found the little house behind the Tillets’—who loathed Malvern over the politics of their respective congregations—but by what Orion had just told her, Malvern had not ceased his efforts to make his estranged wife’s life as difficult as possible.
    And then , thought Abigail, as she turned into the waterfront bustle of Merchants’ Row, there was the matter of Rebecca’s father’s will .
    It was the last occasion upon which she—or as far as she knew, Rebecca—had seen Charles Malvern, except to catch a glimpse of him across the sanctuary of the Brattle Street Meeting-House.
    Abigail slowed her steps as she passed the Malvern countinghouse, at the head of his wharf. Not a grand wharf, like Hancock’s, or the marvel of the Long Wharf that stretched half a mile out to sea, but big enough to serve either of Malvern’s oceangoing brigs. The Fair Althea stood in port, named for the woman Abigail suspected its owner had never forgiven Rebecca for replacing. Malvern had rebuilt the countinghouse at the wharf’s head, on the site of his grandfather’s original modest structure: two and a half stories of solid Maine timber, with a warehouse behind it for muslins and calicoes, tool-steel and paint.
    The tide was out. The sloping shingle below street level was dotted with heaped boxes, rough drays, coils of rope, and wet-dark cargo nets spread to dry. At the nearby Woodman’s Wharf a vessel was loading with kegs of what smelled like potash, stevedores shouting to one another as they worked. Beyond lay the leafless forest of bobbing masts, and the cold air muttered with the creak of ropes, the