THE NEXT TO DIE
Dayle chose a simple, dignified approach that focused on the letters, not on the celebrity reading them. When she finished, the audience stood and applauded. Dayle walked off stage left. The ovation continued, but she would not return for a bow. They were applauding the letters, not her.
    On the other side of the stage, she glimpsed Leigh Simone, waiting in the wings. Dayle still hadn’t met the force behind this benefit fighting discrimination against gays and lesbians. Two women hovered around Leigh, both of them rather chubby: one, a makeup girl, and the other, an older brunette who held a cellular phone and a clipboard. Dayle wondered if this was the assistant, Estelle Collier.
    Leigh broke away from the two women, and waved to her. She was so charismatic, and full of energy. She wore a sleeveless, brown sequined dress with a scooped neck and a jagged hem serrating at her upper thighs. Her legs were long and tapered. The thirty-eight-year-old singer could have been an Olympic athlete with her taut, lean body. The cinnamon skin was flawless. She wore her hair pulled back in a long curly ponytail, which had become her trademark. Her smile could dazzle the recipient a hundred feet away.
    Dayle waved back at her. Leigh blew her a kiss, then yelled something. But the applause had yet to die down. She took a pen from her assistant, then wrote something on the clipboard, and sent her off. Leigh waved to Dayle again, then shimmied and shook her way onto the stage. A thunderous applause greeted her, and The High Priestess of Rock began to turn her seductive powers on the audience. She sang an electrifying rendition of Elvis Presley’s “Suspicious Minds.” Mesmerized, Dayle watched her.
    According to rumor, Leigh was a gay—or at least bisexual. Dayle didn’t take much stock in the grapevine—after all, they were wrong about her. But Leigh never refuted the gossip, and the sexual energy she exuded seemed to spill beyond all boundaries—including gender.
    Dayle felt a little silly for even wondering. But Leigh seemed to have been flirting with her from the other side of that stage.
    “Pardon me, Ms. Sutton?”
    Dayle turned and smiled at the assistant, who—close up—appeared about fifty years old. She was so professionally perky, she could have been an Avon saleswoman. The woman wore jeans and a violet pullover that didn’t quite camouflage her weight problem. “Are you Estelle?” Dayle asked.
    “Why, yes, hello. It’s a pleasure to meet you. I have a message from Leigh.” She handed Dayle a sheet of paper. “She’s a huge fan of yours.”
    Dayle stole another glance at Leigh, who was whipping the crowd into a fever. Then she read the note, hastily scribbled by Leigh herself:
    Dear Dayle ,
    What a wonderful tribute to Tony! Thank you so much. Can we get together tonight? Please say yes. I’m in room 1108—same hotel as you. 10:30? I love you, girl!
    Dayle let out a little laugh. “Sure,” she said to Estelle Collier. “Tell Leigh that I’d love to get together with her.”
     
    Both Leigh and Dayle had been booked into the Imperial Hotel, the same place Tony Katz had stayed the week he was killed. The Imperial had received their share of bomb threats too, and they’d tightened security at the hotel this evening. Dayle’s suite was on the twentieth floor.
    For her date with Leigh, she’d changed her clothes several times, and finally decided on a pair of black stirrup pants and a dark green silk blouse. Like most women, she dressed for other women. In this case, she didn’t want to be too alluring. Leigh’s sexuality shouldn’t have been an issue. But maybe Leigh was expecting more than a friendly chat tonight. Dayle hoped she wouldn’t have to dodge a pass. She’d rejected enough sexual advances in her day, from both genders; that wasn’t a problem. But she admired Leigh Simone, and didn’t want to brave that kind of awkward situation with her.
    Dayle was at the dresser mirror, brushing her hair

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