dear girl, what can I do? On the one side, the man with unlimited money; on the other side, the man with unlimited debts. There is no question as to who will come out on top.â
âThey are extraordinary, these Americans,â commented Mirelle. âIt is not as though your wife were fond of you.â
âWell,â said Derek, âwhat are we going to do about it?â
She looked at him inquiringly. He came over and took both her hands in his.
âAre you going to stick to me?â
âWhat do you mean? Afterâ?â
âYes,â said Kettering. âAfter, when the creditors come down like wolves on the fold. I am damned fond of you, Mirelle; are you going to let me down?â
She pulled her hands away from him.
âYou know I adore you, Dereek.â
He caught the note of evasion in her voice.
âSo thatâs that, is it? The rats will leave the sinking ship.â
âAh, Dereek!â
âOut with it,â he said violently. âYou will fling me over; is that it?â
She shrugged her shoulders.
âI am very fond of you, mon ami âindeed I am fond of you. You are very charmingâ un beau garçon, but ce nâest pas practique. â
âYou are a rich manâs luxury, eh? Is that it?â
âIf you like to put it that way.â
She leaned back on the cushions, her head flung back.
âAll the same, I am fond of you, Dereek.â
He went over to the window and stood there some time looking out, with his back to her. Presently the dancer raised herself on her elbow and stared at him curiously.
âWhat are you thinking of, mon ami? â
He grinned at her over his shoulder, a curious grin, that made her vaguely uneasy.
âAs it happened, I was thinking of a woman, my dear.â
âA woman, eh?â
Mirelle pounced on something that she could understand.
âYou are thinking of some other woman, is that it?â
âOh, you neednât worry; it is purely a fancy portrait. âPortrait of a lady with grey eyes.â â
Mirelle said sharply, âWhen did you meet her?â
Derek Kettering laughed, and his laughter had a mocking, ironical sound.
âI ran into the lady in the corridor of the Savoy Hotel.â
âWell! What did she say?â
âAs far as I can remember, I said âI beg your pardon,â and she said, âIt doesnât matter,â or words to that effect.â
âAnd then?â persisted the dancer.
Kettering shrugged his shoulders.
âAnd thenânothing. That was the end of the incident.â
âI donât understand a word of what you are talking about,â declared the dancer.
âPortrait of a lady with grey eyes,â murmured Derek reflectively. âJust as well I am never likely to meet her again.â
âWhy?â
âShe might bring me bad luck. Women do.â
Mirelle slipped quietly from her couch, and came across to him, laying one long, snakelike arm round his neck.
âYou are foolish, Dereek,â she murmured. âYou are very foolish. You are beau garçon, and I adore you, but I am not made to be poorâno, decidedly I am not made to be poor. Now listen to me; everything is very simple. You must make it up with your
wife.â
âI am afraid thatâs not going to be actually in the sphere of practical politics,â said Derek drily.
âHow do you say? I do not understand.â
âVan Aldin, my dear, is not taking any. He is the kind of man who makes up his mind and sticks to it.â
âI have heard of him,â nodded the dancer. âHe is very rich, is he not? Almost the richest man in America. A few days ago, in Paris, he bought the most wonderful ruby in the worldââHeart of Fireâ it is called.â
Kettering did not answer. The dancer went on musingly:
âIt is a wonderful stoneâa stone that should belong to a woman like me. I love jewels,