The Man in Lower Ten
motive for the crime, and the murderer's present place of hiding. And if you come back to the smoker with me, I'll give you an opportunity to judge if he knew good whisky from bad."
     
      I put the articles from the pockets back again and got up. "I wonder if there is a diner on?" I said. "I need something sustaining after all this."
     
      I was conscious then of some one at my elbow. I turned to see the young woman whose face was so vaguely familiar. In the very act of speaking she drew back suddenly and colored.
     
      "Oh, - I beg your pardon," she said hurriedly, "I - thought you were - some one else." She was looking in a puzzled fashion at my coat. I felt all the cringing guilt of a man who has accidentally picked up the wrong umbrella: my borrowed collar sat tight on my neck.
     
      "I'm sorry," I said idiotically. "I'm sorry, but - I'm not." I have learned since that she has bright brown hair, with a loose wave in it that drops over her ears, and dark blue eyes with black lashes and - but what does it matter? One enjoys a picture as a whole: not as the sum of its parts.
     
      She saw the flask then, and her errand came back to her. "One of the ladies at the end of car has fainted," she explained. "I thought perhaps a stimulant - "
     
      I picked up the flask at once and followed my guide down the aisle. Two or three women were working over the woman who had fainted. They had opened her collar and taken out her hairpins, whatever good that might do. The stout woman was vigorously rubbing her wrists, with the idea, no doubt, of working up her pulse! The unconscious woman was the one for whom I had secured lower eleven at the station.
     
      I poured a little liquor in a bungling masculine fashion between her lips as she leaned back, with closed eyes. She choked, coughed, and rallied somewhat.
     
      "Poor thing," said the stout lady. "As she lies back that way I could almost think it was my mother; she used to faint so much."
     
      "It would make anybody faint," chimed in another. "Murder and robbery in one night and on one car. I'm thankful I always wear my rings in a bag around my neck - even if they do get under me and keep me awake."
     
      The girl in blue was looking at us with wide, startled eyes. I saw her pale a little, saw the quick, apprehensive glance which she threw at her traveling companion, the small woman I had noticed before. There was an exchange - almost a clash - of glances. The small woman frowned. That was all. I turned my attention again to my patient.
     
      She had revived somewhat, and now she asked to have the window opened. The train had stopped again and the car was oppressively hot. People around were looking at their watches and grumbling over the delay. The doctor bustled in with a remark about its being his busy day. The amateur detective and the porter together mounted guard over lower ten. Outside the heat rose in shimmering waves from the tracks: the very wood of the car was hot to touch. A Camberwell Beauty darted through the open door and made its way, in erratic plunges, great wings waving, down the sunny aisle. All around lay the peace of harvested fields, the quiet of the country.
     
     
     
     
     
     

CHAPTER VI THE GIRL IN BLUE
     
     
     
     
      I was growing more and more irritable. The thought of what the loss of the notes meant was fast crowding the murder to the back of my mind. The forced inaction was intolerable.
     
      The porter had reported no bag answering the description of mine on the train, but I was disposed to make my own investigation. I made a tour of the cars, scrutinizing every variety of hand luggage, ranging from luxurious English bags with gold mountings to the wicker nondescripts of the day coach at the rear. I was not alone in my quest, for the girl in blue was just ahead of me. Car by car she preceded me through

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