against the leather seat. âDonât you love the smell of leather?â
âMmm, yes.â
âEspecially when itâs mixed with the smell of horse.â
And for a second then Jane looked at him, really looked at him without shyness, because she felt they were friends. The mood changed, and she began asking him questions about himself, what it was like to be a lawyer and what exactly it meant and how it felt to sit at a desk all day poring over huge volumes, and Maurice found himself telling her things he didnât often talk about. âAnything worth doing has a lot of tedious work involved, but itâs a little like a hunt. You always hope to find a precedent that will give you something to stand on, so itâs worth all the digging.â¦â
And Jane was grateful because he was talking to her quite seriously without condescension.
âWhat do you dream of doing?â she asked.
âDo you really want to know?â
âOf course.â
âItâs not âof course,â but Iâll pretend you mean it.â
âI donât say things I donât mean.â
He turned to give her a piercing look. âNo, I guess you donât. Most people do.â
âBecause of what Mamma calls the âamenities.â When you grow up you have to lie a lot of the time.â
âAnd you think you wonât ⦠when youâre grown-up?â
âIt depends on what I decide to do,â Jane said. âI mean Iâm not going to be like Viola and Edith, who are only interested in getting married.â
âBravo for you!â Maurice said, smiling at her. âBut â¦â
âOh, I know, people change. They canât help it. But right now I am who I am, and please tell me your dream.â
Mauriceâs dream was to found a law firm which would be designed to help people who cannot afford a lawyer, who have learned the hard way that they donât have much of a chance.
âWhat do they do now?â Jane asked, her eyes wide.
âPay up. Go to jail.â
âThatâs awful,â Jane said.
âYes ⦠well, it means getting the government interested. It would have to be financed, so I may have to go into politics first to get anything of the sort accomplished.â
âPappa would like to hear about that,â Jane said.
But they were now in a throng of carriages on Charles Street, and life outside the cab was so interesting that they became absorbed in watching the drivers pull in and out and Jane became suddenly anxious that they might be late.
âDonât worry, theyâll hold the curtain for such important people,â Maurice told her.
And indeed they were settled in their seats, fifth row on the aisle, ten minutes before the curtain went up. âI canât believe it,â Jane whispered, as the orchestra tuned up in the pit and launched into the prologue of Traviata . âSarah Bernhardt in Camille.â She was hugging herself with excitement, the bliss of it, leaning forward in her seat, as the lights dimmed and they waited for the immense red curtain to go up. And when it made that slight rustle as it glided upwards she turned to Maurice with a smile of pure joy. But after that, nothing existed for her except what was going on on the stage, except the slight figure in white and the strange haunting slightly nasal voice of Bernhardt. Every now and then Maurice glanced over at the uplifted face beside him, a person literally entranced, totally unaware that she was being observed. He had never before witnessed someone who could give herself up so completely. And he wondered how life would use this power ⦠or abuse it, and what it really was.
In the intermission he asked if she would like to stretch her legs, but she shook her head, and as she clearly wished not to talk, he left her and went out to the foyer to have a smoke and be greeted by various acquaintances, including his Aunt