how I didn't like the woods and neither did Rot Toe.
"There ain't a thing to like about them," he said, and he didn't look out there when he said it. "You stay out of 'em, Little Buster, you hear?"
"Yes sir," I said.
Albert smiled at me. "You know what Billy Bob says?"
"Yeah." And we said it together, "You don't yes-sir a nigger."
"All right, boy," Albert said. "Get up there on the wagon and get them posters, start putting them up. And you're going to need to talk to the sheriff."
"Me? That's Billy Bob's job."
"He ain't rightly in the condition to do it. And you might as well get used to it, cause he's going to make it your job anyhow."
"How do you know he is?"
"I know Billy Bob, and the less work he has to do the happier man he is. He always finds me a new job or two at the end of the month, don't he?"
And he did. Albert and I did all the work. What Billy Bob did was shoot his pistols, talk about Hickok, read dime novels, and chase gals. That seemed like a pretty good career to me.
But there wasn't any use arguing. Billy Bob would just leave me somewhere high and dry. And the truth of the matter was, I didn't want to leave Albert and Rot Toe. Them and that wagon, scary as it could be sometimes, were all the home I knew.
I got the posters, a hammer and some tacks, and started up the street.
When we came to a town, we always went about getting the sheriff's permission for our show, if we could. If we couldn't we pulled the Magic Wagon outside the town sign where his star didn't count and went ahead with it.
Course, some sheriffs didn't care for that, and they'd come out and run us off, a sign or no sign. I hated it when we had to spend a few days in jail. It just made Billy Bob all that harder to get along with. He'd blame me for too much starch in his long Johns, go around frowning and kicking things, yelling at Albert and hitting Rot Toe with sticks until he got all the meanness out of him, or enough of it anyway. He was too full of it to ever get empty.
But most sheriffs were cooperative, and if they hesitated, Billy Bob could turn on the butter when he wanted to, and talk most of them into it. A sheriff is just like any other fella, in spite of what you might think. He likes a bit of a change now and then, and our show was better than spending his afternoons and early evenings with his heels on his desk, or going over to the saloon to pistol-whip a bunch of drunks into a stupor. Our shows had the added advantage of entertainment before the pistol-whipping, as most of the drunks would show up to see our acts and get looped as usual, only on our Cure-All if they didn't remember a pocket flask of their own. This being the case, the sheriff could watch our little act, then beat the drunks over the head with his gun barrel instead of having to make a special trip on over to the saloon.
So it was with only a few misgivings that I made my way over to the sheriff's office.
When I found it, the door was locked and there was a messy written sign tacked to it:
I AINT HERE NOW AND AINT GONNA BE TILL SATERDEE. HOLD ALL KILLINS AND SICH TILL I GIT BAK OR LOK YER OWNSEF UP. RILEE OVER TO THE SALOON HAS THE KEE.
I could just imagine that lawman spit-wetting his pencil and snickering over that sign as he wrote it. As Albert told me time and again, "You can say what you wants about them sheriffs, but them that I've known of has mostly got a sense of humor."
It also brought to mind a story Albert told me once about this sheriff down San Antone-way that could tell a joke better than you ever heard. Way Albert told it, he could get a fella laughing all the way out of the jail, up the gallows steps, and still cackling till the rope cut him off. Which is understandable at that point.
But Albert said this sheriff was good. He was not only a joker, he was a prankster. When things got slow around the jail and he had a prisoner, one of his favorite things was to unlock the cage while the fella was asleep, sneak in and put