and in three deep breaths Iâm fast asleep.
Â
When the old man wakes me, the sky is pale gray and so low you can almost reach out and touch it.
âTime to go,â he says, nudging my shoulder. âThe Bangers are looking for you.â
That startles me wide awake.
âHow do you know?â I ask.
He shrugs. âI told you before, bad news travels fast out here near the Edge. Have you recovered? Are you ready?â
Heâs got a ragged old sack strapped to his back, and a long, crooked stick to help him walking.
âYou canât come with me,â I tell him.
âAnd why is that?â
âYouâll slow me down. I have to move fast.â
Ryter raises his walking stick and pokes me in my stomach hard enough to get my attention. âListen, young fool. We havenât much time, so I wonât waste any of it being polite. I already saved your life once. That little mob would have torn you apart if I hadnât intervened. So what happens the next time you have a seizure and no oneâs there to keep you safe?â
I shove the stick away. âIâll take care of myself.â
His tone softens. âThink about it, son. You canât do this thing alone. Cross three latches without a guide? Youâll be dead before sundown, or wish you were.â
Iâm shrugging on my carrybag, edging to the door of his miserable little stackbox. âWhat do you care? Why do you want to help me?â
The old man raises his stick and bars the door, like heâs buying time while he thinks about his answer. âTwo reasons,â he says after a pause. âFirst, I want to know how your story ends. And second, this will be my last opportunity for great adventure. A mission to save the life of a beloved young woman â what more could an old man want? I shall accompany you, and then write our tale of courage in my book.â
âYouâre crazy,â I warn him. âYou might be killed.â
âCrazy?â He laughs and shakes his head. âThey said Don Quixote was crazy, too.â
âWhoâs Don Keehote?â I ask.
âA man who believed in doing the right thing, even if it cost him his life,â Ryter says. He shoves me out the door. âCome on, boy. Let me show you the way.â
And he marches into the daylight with his puny walking stick raised like a mighty sword.
Â
Â
L ITTLE F ACE TRIES TO FOLLOW us. Heâs running along, leaping from one junk pile to the next, making a game of it. âChox!â he sings out. âChox!â
He knows I havenât got any more. Itâs like he gets as much pleasure out of saying the word as eating the actual choxbar.
âYou made a friend,â Ryter says, grinning at me.
But he knows the little boy canât come with us, that itâs much too dangerous. He signals to Little Face and the kid dances up to him. Ryter has a word in his ear. A moment later the kid sings, âChox!â one last time and then runs back in the direction of the stacks.
Itâs a relief but at the same time Iâm already sort of missing the little pest.
âThere are thousands like him,â Ryter comments as we pick up our pace. âOrphaned or abandoned, fending for themselves. Very few live to be as old as you, let alone as ancient as me. A great writer once wrote of a very similar situation, in a city called London. His name was Charles Dickens, and he, too, was an epileptic.â
Thatâs it. I stop in my tracks. Ryter looks at me with concern. âSomething wrong?â he asks.
âShut up about the spaz, okay? I donât want to hear about it. I donât want to talk about it.â
âAnd you donât want to think about it,â Ryter adds. âFine. Agreed. I shall not speak of the innumerable famous and successful human beings who shared your condition. I shall not speak of Julius Caesar, Napoléon Bonaparte, Leonardo da Vinci, Agatha
Judith Miller, Tracie Peterson