deliver you to the station. I also told him you had never been in trouble and were a good kid. You owe me a big favor.â
âWhatâs a cop want with me?â
âThat is not the issue. The issue is the conversation we had with the four hoods in the souped-up Ford. I told them they were on school property without authorization. I told them to get off campus. That was the entire substance of the conversation. Right? â
He was nodding while he spoke, waiting for me to agree with him, his eyes as hard as marbles, locked on mine. There was no window in his office; his body odor seemed to eat up the oxygen in the room.
âYou made out I was a snitch. You set me up, Mr. Krauser. Has something happened?â
âDonât you dare lay this on me, you little son of a bitch.â
âYou told Loren Nichols youâd rip out his package and wrap it around his throat. Has somebody hurt him? Is that why youâre so afraid?â
âI hope that cop sticks a baton so far up your ass, youâll be coughing splinters.â
A T THE SUBSTATION, a patrolman ushered me into a small room and left me alone with a huge thick-necked man gazing through the window at the high school campus across the street. He wore cowboy boots and a brown suit and white shirt and a tie with a swampy sunsetpainted on it. Behind him, a fedora rested crown-down on an army-surplus metal desk that was otherwise bare. He turned around and stared into my face, his eyes the color of lead. A snub-nose chrome-plated revolver and a badge were clipped on his belt. âIâm Detective Merton Jenks. Sit down,â he said.
âAre my folks here?â
He pawed at his cheek, his gaze never leaving my face. The skin around his eyes was grainy, like scales fanning back into his hairline. I thought of a reptile breaking out of its shell, perhaps millions of years ago. I sat down and looked up at him. He had not answered my question. I tried to hold his stare.
âYou carry a shank?â he asked.
âA knife? No, sir.â
âTurn your pockets out. Put everything on the desk.â
âYes, sir.â
âDid I tell you to stand up?â
âNo, sir.â
My hands were shaking as I removed my belongings from my pockets. He sat on the corner of the desk and watched me. âWhat do you call this?â he said.
âItâs a penknife. I use it to cut string at the grocery.â
âYou sack groceries?â
âI tote them outside, too. Sometimes I work at a service station.â
âThatâs a good job for a boy. Pumping gasoline, fixing tires, and all that,â he said, half smiling. âThatâs what you do, right?â
âYes, sir, oil changes, too.â
âWhat were you doing last night?â
âNot much. I took a walk.â
âWhereâbouts did you walk?â
âI canât rightly say. I have spells.â
âWhat kind of spells?â
âLike down in the dumps. They pass. They run in my family.â
âKnow who Loren Nichols is?â
âA guy I had trouble with up in the Heights. He came to theschool with his friends yesterday.â I straightened my back and took a fresh breath. Maybe this was about Loren Nichols and his buddies, not me.
âWere they in a 1941 Ford that belongs to Loren and his brother?â
âIt was a â41 Ford. I donât know who owns it.â
âYou wouldnât have vandalized his car, would you?â
âNo, I donât do things like that. Are my folks on their way?â
âYou mean âno, sirâ?â
âYes, sir, thatâs what I meant.â
âLoren says he saw you in the Heights last night, not far from his house. Were you in the Heights?â
âI never bothered those guys. They came after me. I donât know whatâs going on, Mr. Jenks.â
âDetective Jenks. You didnât answer my question. Were you in the Heights or
Elmore - Carl Webster 03 Leonard