Read The Italian Renaissance for Free Online Page A

‘Federico da Montefeltre as a building patron’, in Studies in Renaissance and Baroque Art presented to Anthony Blunt on his 60th Birthday , pp. 1–6. London: Phaidon Press, 1967.
Heydenreich, L. H., and W. Lotz, Architecture in Italy 1400–1600 . Harmondsworth: Penguin, 1974.
Hibbett, H., The Floating World in Japanese Fiction . London: Oxford University Press, 1959.
Hill, G. F., A Corpus of Italian Medals of the Renaissance before Cellini , 2 vols. London: British Museum, 1930.
Hills, P., ‘Piety and patronage in ’500 Venice: Tintoretto and the Scuole del Sacramento’, Art History 6 (1983), pp. 30–43.
Hind, A. M., Early Italian Engraving . London: H. Milford, 1930.
Hollanda, F. de, Da pintura antigua (1548). Eng. trans. as Four Dialogues on Painting , London: Oxford University Press, 1928.
Hollingsworth, M., Patronage in Renaissance Italy , 2 vols. London: John Murray, 1993–6.
Holly, M. A., Panofsky and the Foundations of Art History. Ithaca, NY, and London: Cornell University Press, 1984.
Hook, J., Siena: A City and its History . London: Hamish Hamilton, 1979.
Hope, C., ‘Artists, patrons and advisers in the Italian Renaissance’, in Patronage in the Renaissance , ed. G. F. Lytle and S. Orgel, pp. 293–343. Princeton, NJ: Princeton University Press, 1981.
—‘The eyewitness style’, New York Review of Books , 22 December 1988.
— Titian . London: Jupiter, 1980.
—‘Le Vite vasariane: un esempio di autore multiplo’, in L’autore multiplo , ed. A. Santoni, pp. 59–74. Pisa: Scuola normale superior, 2005.
Hope, C., and E. McGrath, ‘Artists and humanists’, in The Cambridge Companion to Renaissance Humanism , ed. J. Kraye, pp. 161–88. Cambridge: Cambridge University Press, 1996.
Howard, D., The Architectural History of Venice . London: Batsford, 1980.
—‘Architectural politics in Renaissance Venice’, Proceedings of the British Academy 154 (2008), pp. 29–67.
— Jacopo Sansovino: Architecture and Patronage in Renaissance Venice . New Haven, CT: Yale University Press, 1975.
—‘The status of the oriental traveller in Renaissance Venice’, in Re-orienting the Renaissance: Cultural Exchanges with the East , ed. G. MacLean, pp. 29–49. Basingstoke: Palgrave Macmillan, 2005.
— Venice and the East: The Impact of the Islamic World on Venetian Architecture 1100–1500 . New Haven, CT: Yale University Press, 2000.
Hughes-Johnson, S., ‘Early Medici patronage and the confraternity of the Buonomini di San Martino’, Confraternitas 22 (2012), pp. 3–25.
Huizinga, J., Autumn of the Middle Ages (1919). Eng. trans., Chicago: University of Chicago Press, 1995.
—‘Renaissance and realism’ (1920), Eng. trans. in Huizinga, Men and Ideas , pp. 288–309. New York: Meridian Books, 1959.
—‘The task of cultural history’ (1929), Eng. trans. in Huizinga, Men and Ideas , pp. 17–76. New York: Meridian Books, 1959.
Humfrey, P. (ed.), Venice and the Veneto . Cambridge: Cambridge University Press, 2007.
Humfrey, P., and M. Kemp (eds), The Altarpiece in the Renaissance . Cambridge: Cambridge University Press, 1990.
Humfrey, P., and R. MacKenney, ‘The Venetian trade guilds as patrons of art in the Renaissance’, Burlington Magazine 128 (1986), pp. 317–30.
Huse, N., and W. Wolters, The Art of Renaissance Venice: Architecture, Sculpture and Painting, 1460–1590 . Chicago: University of Chicago Press, 1990.
Hymes, D., Foundations in Sociolinguistics: An Ethnographic Approach . London: Tavistock, 1977.
Ianziti, G., Humanistic Historiography under the Sforzas . Oxford: Clarendon Press, 1988.
Jacobs, F. H., Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism . Cambridge: Cambridge University Press, 1997.
Janson, H. W., ‘The equestrian monument from Cangrande della Scala to Peter the Great’, in Aspects of the Renaissance , ed. A. R. Lewis. Austin: University of Texas Press, 1967.
Jardine, L., ‘Isotta Nogarola: women humanists – education for what?’,