rest—” He shrugs, the strong lines of his shoulders rising ever so slightly before settling again. “Well, it hardly matters anymore, does it? I’ve no need of it now.”
I stare at his back, taking in his lean form, his casual stance. Wondering how he could be so uninterested in reclaiming the precious artifacts of his past—the Picasso of him in the severe blue suit, the Velázquez astride a rearing white stallion—not to mention all the other amazing relics dating back centuries.
“But those objects are priceless! You have to get them back. They can never be replaced!”
“Ever, relax. It’s just stuff .” His voice firm, resigned, as he turns toward me again. “None of it has any real meaning. The only thing that means anything is you .”
And even though the sentiment is undeniably sweet and heartfelt, it doesn’t affect me in the way that it should. The only things he seems to care about these days is atoning for his karma and me. And while I’m perfectly fine with those occupying the number one and two spots on his list, the problem is—the rest of the page is blank.
“But that’s where you’re wrong. It’s not just stuff.” I move toward him, voice urging, coaxing, hoping to reach him and make him listen this time. “Signed books by Shakespeare and the Brontë sisters, chandeliers from Marie Antoinette and Louis the Sixteenth—that’s hardly what you’d call stuff. It’s history for God’s sake! You can’t just shrug it off as though it’s nothing more than a box of tired old objects you donate to Goodwill.”
He looks at me, gaze softening as he trails the tip of his gloved finger from my temple to my chin. “I thought you hated my ‘dusty old room’ as you once called it.”
“People change.” I shrug. Wishing, not for the first time, that he’d change back to the Damen I knew. “And speaking of change, why are you so freaked by Miles’s trip to Florence?” Noting the way he stiffens at the mere mention of the word. “Is it because of the whole Drina and Roman thing? The connection you don’t want him to know about?”
He looks at me for a moment, lips parting, about to speak, then he turns away and mumbles, “I’m hardly what you’d call freaked .”
“You know what? You’re absolutely right. For a normal person, that was hardly what you’d call freaked. But for the guy who’s always the coolest, calmest one in the room—all it takes is the slight narrowing of your eyes and the most minute clenching of your jaw to know you’re upset.”
He sighs, eyes searching mine as he moves toward me again. “You saw what happened in Florence.” He squints. “Despite all its virtues, it’s also a place of unbearable memories, ones I’d rather not explore.”
I swallow hard, remembering the images I viewed in Summerland—Damen hiding in a small dark cupboard, watching as his parents were murdered by thugs intent on obtaining the elixir—then later, abused as a ward of the church until the Black Plague swept through Florence and he encouraged Drina and the rest of the orphans to drink the immortal juice, hoping only to heal and having no idea it would grant eternal life—and I can’t help but feel like the world’s worst girlfriend for bringing it up.
“I prefer to focus on the present.” He nods, gesturing around the large empty room. “And right now I really need your help furnishing this space. According to my Realtor, buyers like a nice, clean, contemporary look when shopping for homes. And though I was thinking of leaving it empty, to really emphasize the size of the rooms, I suppose we should try—”
“Your Realtor ?” I gasp, practically choking on the word as my voice raises several octaves at the end. “What could you possibly need a Realtor for?”
“I’m selling the house.” He shrugs. “I thought you understood?”
I gaze around, longing for that ancient velvet settee with the lumpy cushions, knowing it would provide the perfect