regal figure I had expected. It does brood over this ramshackle city of half a million people in a way that the neurotic poet-king probably would have appreciated.
The town itself seems to be separated into the sprawling maze of slums and saloons which the locals call Jacktown and Keats itself, the so-called Old City although it dates back only four centuries, all polished stone and studied sterility. I will take the tour soon.
I had scheduled a month in Keats but already I am eager to press on. Oh, Monsignor Edouard, if you could see me now. Punished but still unrepentant. More alone than ever but strangely satisfied with my new exile. If my punishment for past excesses brought about by my zeal is to be banishment to the seventh circle of desolation, then Hyperion was well chosen. I could forget my self-appointed mission to the distant Bikura (are they real? I think not this night) and content myself with living out the remainder of my years in thisprovincial capital on this godforsaken backwater world. My exile would be no less complete.
Ah, Edouard, boys together, classmates together (although I was not so brilliant nor so orthodox as you), now old men together. But now you are four years wiser and I am still the mischievous, unrepentant boy you remember. I pray that you are alive and well and praying for me.
Tired. Will sleep. Tomorrow, take the tour of Keats, eat well, and arrange transport to Aquila and points south.
Day 5
:
There is a cathedral in Keats. Or, rather, there was one. It has been abandoned for at least two standard centuries. It lies in ruins with its transept open to the green-blue skies, one of its western towers unfinished, and the other tower a skeletal framework of tumbled stone and rusted reinforcement rods.
I stumbled upon it while wandering, lost, along the banks of the Hoolie River in the sparsely populated section of town where the Old City decays into Jacktown amid a jumble of tall warehouses which prevent even a glimpse of the ruined towers of the cathedral until one turns a corner onto a narrow cul-de-sac and there is the shell of the cathedral; its chapter house has half fallen away into the river, its facade is pocked with remnants of the mournful, apocalyptic statuary of the post-Hegira expansionist period.
I wandered through the latticework of shadows and fallen blocks into the nave. The bishopric on Pacem had not mentioned any history of Catholicism on Hyperion, much less the presence of a cathedral. It is almost inconceivable that the scattered seedship colony of four centuries ago could have supported a large enough congregation to warrant the presence of a bishop, much less a cathedral. Yet there it was.
I poked through the shadows of the sacristy. Dust and powdered plaster hung in the air like incense, outlining two shafts of sunlight streaming down from narrow windows high above. I stepped out into a broader patch of sunlight and approached an altar stripped ofall decoration except for chips and cracks caused by falling masonry. The great cross which had hung on the east wall behind the altar had also fallen and now lay in ceramic splinters among the heap of stones there. Without conscious thought I stepped behind the altar, raised my arms, and began the celebration of the Eucharist. There was no sense of parody or melodrama in this act, no symbolism or hidden intention; it was merely the automatic reaction of a priest who had said Mass almost daily for more than forty-six years of his life and who now faced the prospect of never again participating in the reassuring ritual of that celebration.
It was with some shock that I realized I had a congregation. The old woman was kneeling in the fourth row of pews. The black of her dress and scarf blended so perfectly with the shadows there that only the pale oval of her face was visible, lined and ancient, floating disembodied in the darkness. Startled, I stopped speaking the litany of consecration. She was looking at me but
Aziz Ansari, Eric Klinenberg