undertake another investigation if I am not assured that the general public will be able to read every detail of it in due course.’
I had grown accustomed to such ribaldry and took it to be an indication of my friend’s good humour, so did not respond. A short while later, when Holmes had finished smoking his morning pipe, we put on our coats and left the house. The distance to Wimbledon was not great, but it was close to eleven o’clock when we arrived and I wondered if Mr Carstairs might not have given up on us altogether.
My first impression of Ridgeway Hall was that it was a perfect jewel box of a house and one well suited to a collector of fine art who would surely display many priceless things inside. Two gates, one on each side, opened from the public lane with a gravel drive, shaped like a horseshoe, sweeping round a well-manicured lawn and up to the front door. The gates were framed by ornate pilasters, each one surmounted by a stone lion with a paw raised as if warning visitors to stop and consider before deciding to enter. A low wall ran between the two. The house itself was set some distance back. It was what I would have termed a villa, built in the classic Georgian style, white and perfectly square, with elegant windows placed symmetrically on either side of the front entrance. This symmetry even extended to the trees, of which there were many fine specimens but which had been planted so that one side of the garden almost formed a mirror image of the other. And yet, at the very last moment it had all been spoiled by an Italian fountain which, though beautiful in itself, with cupids and dolphins playing in the stone and the sunlight sparkling off a thin veneer of ice, had nonetheless been positioned slightly out of kilter. It was quite impossible to see it without wishing to pick it up and carry it two or three yards to the left.
It turned out that the police had come and gone. The door was opened by a manservant, smartly dressed and grim-faced. He led us along a wide corridor with rooms leading off on both sides, the walls hung with paintings and engravings, antique mirrors and tapestries. A sculpture showing a shepherd boy leaning on his staff stood on a little table with curved legs. An elegant longcase clock, white and gold, stood at the far end, the gentle sound of its ticking echoing through the house. We were shown into the drawing room where Carstairs was sitting on a chaise longue, talking to a woman a few years younger than himself. He was wearing a black frock coat, silver-coloured waistcoast and patent leather shoes. His long hair was neatly combed back. To look at him, one might think he had just lost a hand at bridge. It was hard to believe that anything more untoward had occurred. However, he sprang to his feet the moment he saw us.
‘So! You have come! You told me yesterday that I had no reason to fear the man whom I believe to be Keelan O’Donaghue. And yet last night he broke into this house. He has taken fifty pounds and jewellery from my safe. But for the fact that my wife is a light sleeper and actually surprised him in the middle of his larceny, who knows what he might have done next?’
I turned my attention to the lady who had been sitting beside him. She was a small, very attractive person of about thirty years of age, and she impressed me at once with her bright, intelligent face and her confident demeanour. She had fair hair, drawn back and tied in a knot; a style that seemed designed to accenuate the elegance and femininity of her features. Despite the alarms of the morning I guessed that she had a quick sense of humour, for it was there in her eyes, which were a strange shade between green and blue, and her lips, which were constantly on the edge of a smile. Her cheeks were lightly freckled. She was wearing a simple dress with long sleeves, untrimmed and unbraided. A necklace of pearls hung around her neck. There was something about her that reminded me, almost at once, of
J. S. Cooper, Helen Cooper
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