moved toward the house. Just before he got there, he changed his direction, for the smaller building.
His wife was standing with her back to him, bent over a brick kiln. Steam hissed up out of it, and a sulfurous stink. As the door creaked, she straightened from a peephole and inserted a plug. She tapped a gauge, then turned. She looked at him for a long time before her eyes followed his arm down to the paper.
âWhat was it?â
Wordless, he extended it. It hung between them for a moment, then passed, gloved hand to gloved hand. After a moment, her lips went white, sucked against her teeth.
âWhat is it? A rehearsal?â
âNo. Itâs real.â
âAre you going?â
âIâm thinkinâ on it.â
She looked at the kiln, touched it lightly with the tips of her fingers. Then she looked away, out a square of wavy old glass filmed with powdered clay. âThereâs Mike. Breakfastâs ready.â
Gordon bent at the back door to pull off his boots. In damp stocking feet, he padded on into the kitchen. The boy was standing at the stove. He was twelve, tall for his age, with an abstracted, introspective look. His light hair sprang up in a cowlick. He was wearing jeans and boots and a Poison T-shirt under a flannel shirt. When he saw them, he smiled shyly and said, âHi, Mom, Dad. Yâwant some eggs?â
It had taken two years after he married Ola for the boy to call him that. It sounded good to him. âYeah, thanks, Mike. You sleep good, pal?â
âUh-huh.â
Gordon sat heavily, then caught his wifeâs eye and got up again. When he came back, wiping his hands, his plate was steaming with hot eggs and fluffy buttermilk cakes oozing sweet butter and homemade maple syrup.
âHowâs Wanda doing, Dad?â
âThe antibiotic creamâs working,â said Gordon. He ate for a while, then added, âTeats donât seem to pain her much as they did yesterday. Itâs more expensive than that sulfur ointment, though.â
âMike, what are you doing today?â his mother asked him.
âWeâre gonna meet down at the church and fly some airplanes. Jimmy said I can fly his P-51.â
Gordon cleared his throat. âMichael.â
âWhat?â
âI might have to go away for a while. If I do, you think you can help Mom run the farm here?â
The boy had been smiling, and it lingered yet forgotten on his face as the eyes receded, sinking away like flat rocks dropped into a glacial lake. âWhat do you mean?â he said.
âI mean, going back to active duty. In the Navy.â
âFor a weekend? For how long?â
âI donât know how long.â
âWhere are you going?â
âI think maybe a good piece off.â
The boy sat looking at his plate, but he didnât move to eat. He murmured, âYou said you wouldnât leave us. That youâd stay here.â
âIt wouldnât be because I wanted to,â said Gordon. âYou understand that, son? But I gave them my word, yâsee. There are things, if a manâs promised to do them, he ought to no matter what. I promised to go back if they needed me. They say they do.â
The boy glanced up. His eyes were still distant, but a kind of desperate longing filled them now. âYou mean, for a war?â
After a moment, Gordon said, âNot exactly.â
The boy cried out then, something inarticulate and savage, and his voice was twisted and high. Part of it was: âYou liar. You fucking liar! And Iâm not your son! â The plate hit the floor with a pottery crack. They heard his footsteps rapid on the stair and then, just as the door slammed, a sob.
His mother bent to pick up the pieces. She ran her finger cautiously over a fractured edge. They looked at each other across the table. âHeâs right,â she said. Her eyes were quiet and sad. âYou told him you wouldnât leave. Like his
Susan Aldous, Nicola Pierce