sightings
I made years ago in the backwoods near Tilbury Ontario,
birds seem less capable of an outright violent attack in any
language, One simply remembers a shape among the leaves,
and it is never the bird in its entirety, a thing in itself, but a
suggestion, an attitude that leans toward the whole. Their
unusual forms of communication always correspond directly
to individual shapes, a series of objects open to interpretation
instead of a defining mechanism through which facts are stated.
They are a war with no violence, a peaceful tribe who carry out their
discussions for the benefit of all without any attempt to triumph
over their delicate presents. It is certainly a natural enough position,
for the voice of a carnivore becomes as important as the voice of
the small berry eaters. Thus no one is afraid to speak. It is
comforting that each species can exist in order that it might be
heard alongside all the others rather than against them, and
similarly, that each song or cry made by any one creates a wildly
varied universe in which everyone gathers in bunches separately
causing an overall effect similar to that of a community of writers.
Lysdexia in Sunlight
what mournful singing
in the happiness of change: they
beat their drums across the cloud-lit skies;
by calling out our names
they are assured of an answer in their wingspan
a note quite high, (not sounded at all within that realm)
something you can hear uttered just in front
of the beak, to layer existence before the sound
itself appears, a priori, but so what:
their benign overwhelming attention
can only be explained by
Mind, not by the songs they sing.
After the Rain
After the rain the stink of the lake resides of the lake.
The good clean stink in the the back of my throat.
After the rain one can until anything can happen.
And stare at the wetback surface sit perfectly still.
When the glass of water becomes the glass of water.
The only think left to think:
After the rain nothing can ever sit quite through it.
When a bird goes so still as the sky.
âGull sit on lake fine.
And itâs after rain.â
After the rain no oneâs still day. Quite
so nowhere. Itâs a mind ever goes.
Even the rain felt straight down to strike the surface.
Ninety degrees of the lake.
Notes on Flight
here
love them because
here they are
not here
every being faces
many directions
with a face
to the sky
my wife sleeps
her head
the top of it
points up to
them hello
miles and miles
away
east night first
then western crackle (&
the greens become several shades
of blue, music obviously)
layered in the orange
orchid tufts going
to sleep
no moon
almost present
a sliver to speak
as it shares stars
with shapes and
shifters
the quiet
songs
cloudsex:
soft lightning
stroking the wet
gas light
feel them
moving in the
trees
jokes on you in the morning
when they arenât around itâs you
who arenât so asleep or breathe in
the open eye WAKE UP
the feather ere
ates connexion
turbulence, a
worl(d) wind
the mind read
ily accepts
collage/com
pression in
time
mine breathe
you say yours can do anything, mine
mine breathe
if there are none look to the horizon
to see something of them, time held
on a refractory note until they gather
for you are inside the chest not the
head but in the chest where you are alive
look deep into their soft barricades
Float/Set
swimming at dusk, the water
feels like air, tho it cups the
balls more gently, holds them where
the careless gravity of the lake seems
to halt, and can float quietly, a
point of departure to wake up
those orange wisps and ochre folds
of cloud strings from across the water
that hang before the red sun wash and
that silence the lake is fumbling for
turns them into the circular motions
we make, both above and below the horizon
sound to hold our dark hovering limbs
Seasonal Drift
August contemplation of