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ripple of drumming as Vlana streaked off the stage, and then there began a wild, somewhat thin, but galloping music, the one-armed Mingol being joined by the little Ilthmarix playing a nose flute.
           "I did not laugh, my dear," Fafhrd breathed somewhat loftily, "nor did I drool or flush or speed my breath, as I am sure you noted. No, Mara, my sole purpose in being here is to learn more about civilization."
           She glared at him, grinned, then of a sudden smiled tenderly. "You know, I honestly think you believe that, you incredible infant," she breathed back wonderingly. "Granting that the decadence called civilization could possibly be of interest to anyone, and a capering whore able to carry its message, or rather absence of message."
           "I neither think nor believe, I know it," Fafhrd replied, ignoring Mara's other remarks. "A whole world calls and have we eyes only for Cold Corner? Watch with me, Mara, and gain wisdom. The actress dances the cultures of all lands and ages. Now she is a woman of the Eight Cities."
           Perhaps Mara was in some small part persuaded. Or perhaps it was that Vlana's new costume covered her thoroughly — sleeved, green bodice; full, blue skirt; red stockings; and yellow shoes — and that the culture dancer was panting a trifle and showing the cords in her neck from the stamping and whirling dance she was doing. At any rate, the Snow Girl shrugged and smiled indulgently and whispered, "Well, I must admit it all has a certain disgusting interest."
           "I knew you'd understand, dearest. You have twice the mind of any woman of our tribe, aye, or of any man," Fafhrd cooed, caressing her tenderly but somewhat absently as he peered at the stage.
           In succession, always making lightning costume changes, Vlana became a houri of the Eastern Lands, a custom-hobbled Quarmallian queen, a languorous concubine of the King of Kings, and a haughty Lankhmar lady wearing a black toga. This last was theatrical license: only the men of Lankhmar wear the toga, but the garment was Lankhmar's chiefest symbol across the world of Nehwon.
           Meanwhile Mara did her best to share the eccentric whim of her husband-to-be. At first she was genuinely intrigued and made mental notes on details of Vlana's dress styles and tricks of behavior which she might herself adopt to advantage. But then she was gradually overwhelmed by a realization of the older woman's superiority in training, knowledge and experience. Vlana's dancing and miming clearly couldn't be learned except with much coaching and drill. And how, and especially where, could a Snow Girl ever wear such clothes? Feelings of inferiority gave way to jealousy and that to hatred.
           Civilization was nasty, Vlana ought to be whipped out of Cold Corner, and Fafhrd needed a woman to run his life and keep his mad imagination in check. Not his mother, of course — that awful and incestuous eater of her own son — but a glamorous and shrewd young wife. Herself.
           She began to watch Fafhrd intently. He didn't look like an infatuated male, he looked cold as ice, but he was certainly utterly intent on the scene below. She reminded herself that a few men were adept at hiding their true feelings.
           Vlana shed her toga and stood in a wide-meshed tunic of fine silver wires. At each crossing of the wires a tiny silver bell stood out. She shimmied and the bells tinkled, like a tree of tiny birds all chirruping together a hymn to her body. Now her slenderness seemed that of adolescence, while from between the strands of her sleekly cascading hair, her large eyes gleamed with mysterious hints and invitations.
           Fafhrd's controlled breathing quickened. So his dream in the Mingols' tent had been true! His attention, which had half been off to the lands and ages Vlana had danced, centered wholly on her and became desire.
           This time his composure was put to an