finished its trip. Last night, as he came out of the station, the streetcars were so jammed that he was unable to pay his fare before getting off; the conductor could not walk through the car because of the suitcases. The other riders informed him, with some difficulty, of the stop nearest this Rue des Arpenteurs, of whose existence most of them seemed quite unaware; someone even said that it was not in this direction at all. He had to walk a long time along the badly lighted parkway, and once he found it, he noticed this café that was still open, where they gave him a room, not very luxurious of course, but good enough. He was quite lucky actually, because it would not have been easy to find a hotel in this deserted neighborhood. “ Furnished Rooms ” was written in enamel letters on the window, but the manager hesitated before answering; he seemed annoyed, or in a bad mood. On the other side of the embankment Wallas turns into a street paved with wood, which must lead toward the center of town; “ Rue de Brabant ” is written on the blue plaque. Wallas has not had time, before leaving, to get hold of a map of the city; he plans to do so this morning as soon as the stores open, but he is going to take advantage of this respite he has before going to the police station, where normal service does not begin until eight, to try and find his way alone through the labyrinth of streets. This one seems important despite its narrowness: apparently long, it dissolves into the gray sky in the distance. A real winter sky; it looks as though it were going to snow.
On either side stretch rows of what seem to be brick houses, all similarly constructed, without balconies or cornices or ornament of any kind. Here there is only what is strictly necessary: regular walls pierced with rectangular openings; it does not suggest poverty, only work and economy. For the most part, moreover, these are office buildings.
Severe fa ç ades, rows of small, dark red bricks, solid, monotonous, patient: a penny profit made by the “ Resinous Wood Corporation, ” a penny earned by “ Louis Schwob, Wood Exporter, ” by “ Mark and Lengler ” or by the “ Borex Corporation. ” Wood export, resinous wood, industrial woods, wood for export, export of resinous wood, the neighborhood is completely devoted to this commerce; thousands of acres of pine trees, piled brick by brick, to shelter the big ledgers. All the houses are built the same way: five steps lead to a varnished door, recessed and with black plaques on each side showing the firm ’ s name in gold letters; two windows to the left, one to the right, and four stories of similar windows above. Perhaps there are apartments among all these offices? They cannot be discerned, in any case, by any outer sign. The employees, still not wide awake, who will be filling the street in an hour will have a good deal of difficulty, despite being used to it, recognizing their doors; or else maybe they enter the first one they come to, to export at random the wood of Louis Schwob or of Mark and Lengler? The main thing is that they do their work carefully, so that the little bricks go on piling up like figures in the big ledgers, preparing still another story of pennies for the building; a few hundred tons more of totals and exact business letters: “ Gentlemen, in answer to yours of the … ” ready cash, one pine tree for five bricks.
The row is broken only at the perpendicular, identical crossroads, leaving just room enough to slip between the piles of ledgers and adding machines.
***
But here is the deeper trench which the water carves through these brick days; along the quay rises the gables ’ line of defense, where the openings instinctively grow more myopic and the ramparts thicker. Down the middle of this cross street flows a canal, apparently motionless, a straight corridor men have left to the original basin, for barges loaded with wood that slowly move down toward the harbor; last refuge,