would wait and hold the door open when you met them coming or going, but like any good New Yorker, I didnât know my neighbors well enough to pick them out of a police lineup.
Sighing, I forced myself away from the window, hoping my melancholy would fade. Think positive .
I got into a comfy position on the sofa and stared vacantly at the rain slashing against the window. The heat in the room made me drowsy. Usually I could control the steam radiator heat but the handle was broken ⦠again. I jotted down a note to myself to tell the landlord to fix itâagain.
Iâd been sitting for an hour, trying to figure out what way I should turn, when the phone rang. I didnât recognize the number, but it wasnât Mrs. Garciaâs number so I answered it.
âMaddy, itâs Bolger.â
I couldnât have heard a better name or voice to help with my predicament. Bolger was a top-notch art expert who opened a one-man, one-room bookstore that sold new and used art books after he retired from the Met. He occasionally hired himself out as an art authenticator, examining pieces to separate the fakes from the bona fides, but the field was mostly dominated by laboratories with high-tech equipment.
Weâd worked together at the Met when I was a young intern learning the world of museums and he was an old pro in the unit that performed tests to determine the authenticity of pieces that the museum wanted to acquire.
Bolger had an encyclopedic knowledge of antiquities, but after leaving the museum, the march of technology had relegated him to the status of an anachronismâa person who belonged in another time.
âIâm obsolete,â he told me years ago. âI weigh two hundred pounds and a computer chip that weighs a thousandth of that can store infinitely more knowledge.â
When I was still head curator at the Piedmont, I sent him artifacts to authenticate. I had more faith in his instincts than a laboratory full of high-tech machines.
âI have a referral for you,â he said. âMore accurately, I gave your name and phone number along with a high recommendation to a very rich and serious collector. Hopefully he will be calling.â
âGreat. I need the business. Iâm glad you called. We havenât talked in ages.â
He was on the list of people Iâd sent business cards to after Iâd decided to launch my business. So far he was the only one who had called me.
âHow you doing?â he asked.
âWell, as you know, I started my own business and things are a little ⦠ahâ¦â
âSlow?â
âUh huh.â
âTough?
âUh huh.â
âI know, Iâve been there. Something will happen soon. Send me a batch of your business cards and Iâll give them out to everyone from book buyers to the mail carrier. Your luck will turn around.â
Bolger knew about the Semiramis scandal, but he was too much of a gentleman to say anything, which was fine with meâI was tired of explaining myself and proclaiming my innocence.
âMaybe it has. Something really weird happened that I need your opinion on. Are you busy right now?â
âI havenât sold a book in two days, but thatâs okay, I like my books and hate to part with them. Whatâs up?â
âI just saw a piece of art and itâs blown my mind. You wonât believe it when I tell you.â
âYou said weird. Is this going to be one of those scenarios in which someone puts out five bucks at a yard sale for a painting thatâs been in grandmaâs attic for fifty years ⦠and it turns out to be a Matisse?â
âYouâre a mind reader. But do grandmas have attics in Thailand?â
âOnly bamboo ones that monkeys swing in.â
âSomebody showed me a sandstone Apsaras relief a little while ago that looks real.â
âIt might be. There are looted pieces around. The creators of Angkorâs