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huge welcoming party. He repeated the performance as Miss Matsuoka, face pressed to the eyepiece of the hand-held camera, ducked under the starboard wing. She crept along the fuselage, her lens taking in every capped tooth in the man’s confident and wolflike smile.
    Already the cargo doors had opened, and two crew men lowered a metal step to the ground. Their overall pockets carried a distinctive emblem that seemed to be both a religious symbol and the logo of a television station.
    ‘Who are these people?’ I asked Captain Kagwa as we stepped from the jeep and shook the dust from our clothes. ‘Are they evangelists? Or some sort of missionary group?’
    ‘Our saviour, certainly.’ Kagwa saluted the aircraft with an ironic flourish. ‘Professor Sanger brings hope to our doorstep, salvation for the poor and hungry of Lake Kotto, comfort for the bush doctor …’
    The blond-haired man stood in the doorway of the cargo hold. He was in his mid-forties, and had the reassuring but devious manner of a casino operator turned revivalist preacher. He bent down and greeted Captain Kagwa with a generous handshake, while giving his real attention to the Japanese photographer, who was reloading her camera beneath the starboard wing tip. When she was ready he ruffled his hair and then brought his hands together in a snapping gesture which I first assumed was a stylized religious greeting, but in fact was a clapperboard signal. As the camera turned, he posed beside two large sacks which the flight crew had manhandled into the hatchway. He composed his features into a tired but pensive gaze, and allowed a quirky smile, at once vulnerable but determined, to cross his sharp mouth. This well-rehearsed grimace, a tic I had seen before somewhere, cleverly erased all traces of his quick intelligence from his face. Only his eyes remained evasive, looking out at the indifferent forest wall with a curious blankness, like those of an unrecognized celebrity forced to return the stares of a foreign crowd. When Miss Matsuoka called to him, he quickly slipped on a large pair of sunglasses.
    ‘Right, Professor Sanger – I will wait for the poor people to receive your gifts …’
    The Japanese woman had completed her shot, and was thanking Captain Kagwa, who had clearly relished the attentions of her lens. I left the jeep and walked to the wingtip of the Dakota, running my hand against the weather-worn trailing edge of this elderly aircraft. I now remembered Professor Sanger, a sometime biologist turned television popularizer. He had enjoyed a brief celebrity ten years earlier with a series of programmes that sought to demonstrate the existence of psychic phenomena in the animal world. The migration of birds, the social behaviour of ants and bees, the salmon’s immense journey to its spawning grounds, were all attributed to the presence of extra-sensory powers distributed throughout the biological kingdom, but repressed in Homo sapiens. As a newly qualified houseman doing my year on the wards in a London hospital, I would see him on the television set in the junior doctors’ common room. Of mixed Australian and German ancestry, Sanger had perfected the rootless international style of an airline advertisement, which his audiences took for objectivity. After a day spent in the emergency unit, treating road accident casualties and the victims of strokes and heart attacks, I would sit exhausted in the debris of the common room and watch this scientific smiler holding forth from a rockpool in the Great Barrier Reef or an anthill in the Kalahari.
    Fortunately, his success was short-lived. He soon exposed himself to ridicule when he claimed that plants, too, could communicate with one another and appeared in a televised experiment in which the gardeners of Britain rose at dawn and urged their hollyhocks and lupins to deny the sun. After this fiasco Sanger began a second career in Australian television, but he soon became involved with dubious video and