eat. The dressing is good. We use the bread to mop it up. Alistair replaces the bowl with a huge platter mounded with steaming, garlicky snails, and a round of applause greets its arrival. Everyone comments on how wonderful Alistairâs escargots always look. Apparently, he is famous for them. Alistair takes a huge portion and passes the platter to Madelaine, who needs help, it is so heavy. Beni stands to assist her. He serves her, then himself, passes the platter to Gerard, and it finally reaches me, Chuck, and Tamsin. Tamsin takes a tiny portion. Alistair takes more snails, then raises a glass of champagne and shouts, â Bon appétit! â
We all drink and eat. There are comments about how tasty, plump, and juicy the snails are. I agree. They are. Alistair and his hill farmers are doing a great job! More bread is passed around, more champagne. I speak to Gerard, who tells me about the gardens, and the way they have developed over the years into different sectionsâItalian, formal, Mediterranean, English Country, and so on, with all the different sections requiring different types of tending.
Alistair and Madelaine are disagreeing about something. Lots of âNon, non, it is bad for here . . .â from Madelaine, and âBut it will be goodâyes, yes . . .â from Alistair.
Gerard shouts, âIt is sacrilege!â He slams his aged fist onto the table. He is clearly very distressed.
âPlease stop fighting at my party,â I hear Tamsin say. âThe swimming pool is divisive!â I nearly choke with surprise, but all becomes calm again, and Alistair and Madelaine clink glasses by way of declaring a truce. Beni rolls his eyes at Gerard, who shakes his head in reply. Then Alistair coughs, drops his bread, clutches at his chest, and falls into his plate of snails.
Now . . . now I must concentrate. Who does what? I have to slow down the movie and study each face.
Tamsin: She throws down a morsel of bread and says âAlly! Stop it! Stop messing about!â Her whole attitude says  . . . annoyance.
Madelaine: She brings her hand to her chest in surprise, almost matching Alistairâs motions and says â Mon Dieu! â quickly, and quietly. She is at full alert, leaning toward Alistair. She knows something is very wrong.
Beni: He laughs and throws his hands up, booming âAlistair! No!â His face shows amusement, but some annoyance.
Gerard: Heâs looking intently at Alistair. Heâs alarmed. Immediately. His hands move to the arms of his chair, so he can rise. He says nothing.
Chuck: Heâs facing me, with a puzzled look on his face. âWhatâs Alistair up to nowâfooling around again, I guess?â He smiles broadly, then turns to look at his dead host.
There isnât one look of relief at the table. Not one hint of guilt. All the reactions are natural, or at least, explicable.
Then I leap up, quicker off the mark than Gerard, and I rush to Alistair. I lift him, with Beniâs help. I feel no neck pulse. I shake my head. Tamsin starts to wail. Chuck comforts her, holding her in his arms . . . She pulls away and rushes to the staircase.
âHeâs gone . . . Allyâs gone!â she wails as she runs upstairs. I wonder where she is going, but I am trying to lay Alistair back onto the table top, and deciding if we should move the plate of snails first. I think it best to move it to one side, wipe the garlic butter from his face, and replace his head onto the tableâgently.
Tamsin arrives with her damned twigs, Beni suggests we leave the table, and we all agree. We troop through the kitchen to the balcony. Gerard comes out and announces the imminent arrival of the emergency services. Tamsin is last to join us, as sheâs waggling her sticks about. When weâre all outside Beni goes back to make sure that she hasnât set anything alight with her