his head for them to come ahead. Torchlight painted him massive and flicker-shadowed behind the blade.
He made them a grin from his scarred and ravaged features.
“Do I look like a fucking slave to you?” he asked them.
And though, finally, they would bring him down with sheer weight of numbers, none who heard him ask that question lived to see the dawn.
CHAPTER 4
here was an iron alloy tree in one corner of the courtyard, gleaming where the late-afternoon sunlight played off features in the gnarled metal bark. Sharp black shadow ran out from the trunk like spilled ink, then split into branching rivulets that spread out across the stone paving, as if in search of something. Archeth sat well out of reach on the courtyard floor opposite—booted legs propped up in front of her, warmth of the sun-drenched courtyard wall at her back—and watched the rivulet shadows creep toward her. She bit into an apple she’d plucked from another tree in another courtyard, one that humans might have been a little more comfortable with.
Nothing grows at An-Monal
, the superstitions whispered across Yhelteth like the wind.
Nothing lives there
.
Like most things humans believed, it was missing the point. The iron alloy tree was not alive in any conventional sense, true, but every yearthe blue-black leaves it lifted against the sky would rust through as winter approached, speckling and staining first to a purplish red, then to pale orange, and then finally to a stark silvery white that crumbled and turned to glinting ash in the breeze. And then, every spring, the leaves slid back out of the alloy bark like tiny blades unsheathing, like a winning hand of cards spread out on the table before your eyes.
The quiet metallic process had been going on for as long as Archeth could remember, which was coming up on a couple of centuries now; and—despite a slew of idiot prophecies about such things ceasing when the Kiriath abandoned the world—when the last of her people’s fireships did finally submerge in the An-Monal crater and something seemed to tear for good in Archeth’s heart, the tree never missed a beat.
She wasn’t really surprised, could have told the prophesying priests it was a stupid idea from the start. Her father’s people prided themselves on creating processes and artifacts that did not need them to officiate over.
We are what we build
, Grashgal once told her cryptically, in the brief months between the end of the war and the Departure.
Forces older and darker than knowing forced knowing upon us and long ago locked us out of paradise. There is no way back. The only victory against those forces is to build. To build well enough that, when we look back along the path of exile we have engineered, the view is bearable
.
If there’s no way back
, she begged him,
then why are you leaving?
But by then it was a rancid argument. Grashgal could no more sway the Council of Captains than she could herself. The aftermath of the war had broken something in the Kiriath, had horrified them in some way that was still mostly obscure to her. They wanted out. After thousands of years of settled inertia, they were making plans again, drawing charts and asking their machines for counsel their own delicately damaged minds could not provide. Down in the workshops at An-Monal, the welding torches raged blue-white again, and sparks cascaded vermilion and gold down the curved iron flanks of the fireships in dry dock. The Helmsmen stirred in their brooding, mothballed darkness, and pondered the questions put to them, and said it could be done.
Involuntarily, she glanced left across the courtyard, toward the arched entrance and the paths that wound down to the workshops beyond. Ghost memories of the clangor faded out as she came back to thepresent; sharp acid taste of apple on her tongue and the warmth of the sun on her skin. She’d been down to the workshops that morning, had wandered the deserted iron gantries and crane
Angela Conrad, Kathleen Hesser Skrzypczak