Tags:
Fiction,
Literary,
General,
Suspense,
Fiction - General,
Romance,
Historical - General,
History,
British,
20th Century,
Romantic Suspense Fiction,
Women archaeologists,
English Historical Fiction,
Kenya,
Kenya - History - Mau Mau Emergency,
Kenya - History - Mau Mau Emergency; 1952-1960,
British - Kenya,
1952-1960
comparison first, and delay for a few weeks. It is perfectly normal behavior that happens all the time.” She reached up and removed the bandana from her head, folded it neatly, and laid it on the table next to her napkin. “And you are surely overlooking the fact that, if we have found a tibia and femur in this part of the gorge, there is an excellent chance that we will find some other pieces of the same skeleton, perhaps even a skull. That would be even more momentous than what we have already.”
Richard went to say something but she waved him down, slapping the table with the open palm of her hand and rattling the cutlery.
“You force me to say this, Richard, by your … your refusal to back off, see sense, acknowledge that you are part of a team … But if you leave now, I’m warning you—officially warning you—that you can’t come back.” She took a deep breath. “We have achieved what we have on our digs by discipline. Not by being authoritarian—I’m not an ogre, as you well know—but by having a few rules, for the benefit of all, and sticking to them.”
She swallowed some water. No one else around the table was about to say anything. Most of them kept their eyes fixed firmly in front of them.
“Now look,” she went on, more amenably, “let’s not argue. I want this paper to be published as quickly as possible, just like you do. But I have other responsibilities and you, in my view, are being unreasonable.”
Richard said nothing. But only with great difficulty.
• • •
“Is there anything else like this in the world?” Natalie asked. “It’s extraordinary.” She held her camera to her eye and took more photographs.
“I don’t know if it’s unique,” replied Christopher, “but it’s certainly very unusual. You can see why the local Maasai, who are theoretically Christians, still worship these sands.”
Natalie, Christopher, and Kees van Schelde were standing in front of a small sand dune on the Serengeti plain, about eight miles or so from the camp. It was not far off dusk and Christopher had brought them here to show them one of the “local sights,” as he put it, Natalie and Kees being the two newest members of the dig.
Kees was also taking photographs. “Explain it to me again, will you? I’m still not sure I understand completely.” Kees was the youngest of the team, a twenty-five-year-old Dutchman from the University of Amsterdam who had yet to complete his Ph.D., but he had already been on several digs, making him considerably more experienced than Natalie, if less qualified, formally speaking.
“Sure,” said Christopher. He leaned against the bonnet of the Land Rover. “This being a flat plain, the winds can be quite strong, with very little to impede them. Notice that the edge of the dune that is facing the wind is fairly steep, whereas the trailing edge—on the lee side if you like—is quite shallow. When the wind blows, what happens is that grains of sand on the leading edge, the steep edge, are blown up into the air, and then fall and settle on the trailing edge. When the wind is very strong, like it is now, that process is magnified, it happens much more quickly, with the result that, over a matter of days, the entire sand dune can move, maybe as much as five feet a day. Over the months, the dune can move miles—and then, when the wind changes, move back again. Because it moves so much, the local Maasai think the dune is mysteriously alive, which is why they worship it.”
He slid into the driving seat of the Land Rover, the others finished taking their photos, and then Natalie got in alongside him and Kees climbed in the back.
The light was fading fast as they headed home. They looked about them, as the animals began to appear.
“Have you ever been to Italy?” Kees asked.
Christopher shook his head.
“No,” said Natalie. “I’d love to go, but why do you ask?”
“They have this thing called a passeggiato when, in the early