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gully wasn’t like the hallucinations that had dogged him during his sojourn in the desert. It was more like a memory of something lived. He brought its details into focus, his mind’s eye roaming its visual expanse. How could he ever hope to capture something so magnificent with his amateur’s hand? But he would have to try.
    Lucius began to draw.
    A rustling in the brush: Lucius drew the riflescope to his eye. There were four of them, rooting through the dirt, snuffling and grunting: three sows and a boar, reddish brown, with large, razor-sharp tusks. A hundred and fifty pounds of wild pig for the taking.
    He fired.
    While the sows scattered, the boar staggered forward, shuddered with a deep twitch, and went down on its front legs. Lucius held the image in his scope. Another twitch, deeper than the first, and the animal flopped on its side.
    Lucius scrambled down the ladder and went to where the animal lay in the grass. He rolled the boar onto the tarp, dragged it to the tree line, looped the animal’s hind legs together, set the hook, and began to hoist him up. When the boar’s head reached the height of Lucius’s chest, he tied off the rope, positioned the basin beneath the hog, drew his knife, and slashed the animal’s throat.
    A gush of hot blood splattered into the basin. The boar would produce as much as a gallon. When the boar had emptied out, Lucius funneled the blood into a plastic jug. With more time on his hands, he would have gutted and butchered the animal and smoked the meat for trade. But it was day fifty-eight, and Lucius needed to be on his way.
    He lowered the corpse to the ground—at least the coyotes would get the benefit—and returned to the hut. He had to admit it: the place looked like a madman lived there. A little over two years since Lucius had first put pen to paper, and now the walls were covered with the fruits of his labor. He’d branched out from ink to charcoal, graphite pencil, even paint, which cost a bundle. Some were better than others—viewing them in chronological order, one could trace his slow, at times frustratingly inept self-education as an artist. But the best ones satisfyingly captured the image Lucius carted around in his head all day like the notes of a song he couldn’t shake except by singing.
    Michael was the only person who’d seen the pictures. Lucius had kept his distance from everyone, but Michael had tracked him down through somebody on the trade, a friend of Lore’s. One evening over a year ago Lucius had returned from setting his traps to find an old pickup parked in his yard and Michael sitting on the open tailgate. Over the years Greer had known him, he had grown from a rather meek-looking boy to a well-made specimen of manhood in its prime: hard and sleek, with strong features and a certain severity around the eyes. The sort of companion you could count on in a bar fight that began with a punch to the nose and ending with running like hell.
    “Holy damn, Greer,” he said, “you look like shit on a biscuit. What does a man have to do to get a little hospitality around this place?”
    Lucius got the bottle. At first it wasn’t quite clear what Michael wanted. He seemed changed to Lucius, a little at loose ends, a bit sunk down into himself. One thing Michael had never been was quiet. Ideas and theories and various campaigns, however cockeyed and half-baked, shot from the man like bullets. The intensity was still there—you could practically warm your hands on the man’s skull—but it had a darker quality, the feel of something caged, as if Michael were chewing on something he didn’t have words for.
    Lucius had heard that Michael had quit the refinery, split from Lore, built some kind of boat and spent most of his time on it, sailing out alone into the Gulf. What the man was looking for in all that empty ocean, he never got around to saying, and Lucius didn’t press; how would he have explained his own hermitic existence? But over the course of