caught one of Jerry Renault's passes and outran everybody for a score. But it was the running he loved. The neighbors would see him waterfalling down High Street, carried by the momentum of his speed, and they'd cry out, "Going for the Olympics, Goob?" Or, "Got your eye on the world record, Goob?" And on he'd run, floating, flowing.
But he wasn't running now. He was in Brother Eugene's homeroom and he was terrified. He was fifteen years old and six-one-and-a-half and too old to cry but tears blurred his vision, as if the room was under water. He was ashamed and disgusted with himself but he couldn't help it. The tears were from frustration as well as terror. And the terror was different from any other kind he'd ever known: the terror of a walking nightmare. Like waking up from a bad dream in which a monster was gaining on you and breathing a sigh of relief as you realized you were safe in your bed and then looking toward the moonlit doorway and seeing the monster stalking toward your bed. And knowing you'd stumbled from one nightmare into another--- and how do you find your way back to the real world?
He knew that he was in the real world at this moment, of course. Everything was real enough. The screwdrivers and the pliers were real. So were the desks and chairs and the blackboards. So was the world outside, a world he had been shut away from since three o'clock this afternoon when he had sneaked into the school. Now the world had changed, had grown blurred with day's leaving and then purple at dusk and then dark. It was now nine o'clock and The Goober sat on the floor, his head against a desk, angry at his damp cheeks. His eyes stung from strain. The Vigils said he was allowed to put on the small emergency night light each classroom was furnished. A flashlight was forbidden because it might look suspicious to outsiders. The Goober had found the job almost impossible. He had been in the classroom six hours and had only finished two rows of desks and chairs. The screws were stubborn, most of them factory-tight, resisting the twists of the screwdriver.
I'll never get done, he thought. I'll be here all night and my folks will go crazy and it still won't be done. He envisioned himself being discovered here tomorrow morning, collapsed in exhaustion, a disgrace to himself and The Vigils and the school.
He was hungry and had a headache and felt that everything would be all right if he could only get out of here and run, hurtle himself through the streets, free from the terrible assignment.
A noise from the corridor. That was another thing--- it was spooky. All kinds of noises. The walls spoke their own creaky language, the floors crackled, motors hummed somewhere, the humming almost human. Enough to scare a guy to death. He hadn't been this scared since he was just a kid and woke up'in the middle of the night calling for his mother.
Thump. There--- another noise. He looked with dread toward the doorway, not wanting to look but unable to resist the temptation, remembering his old nightmare.
"Hey, Goober," the whisper came.
"Who's there?" he whispered back. Relief swept him. He wasn't alone anymore, someone else was here.
"How're you doing?"
A figure was advancing toward him on all fours, like an animal. The aspect of the beast--- nightmare, after all. He shrank back, his skin hot and prickly, like the onset of hives. He was aware of other figures crawling into the room, knees scraping across the floor. The first figure was now in front of him.
"Need some help?"
The Goober squinted. The kid was masked. "It's going slow," Goober said.
The masked figure grabbed the front of Goober's shirt and twisted hard, pulling him forward. He could smell pizza on the kid's breath. The mask was black, the kind Zorro wore in the movies.
"Listen, Goubert. The assignment is more important than anything else, understand? More important than you, me or the school. That's why we're going to give you some help. To get the thing done right."
Douglas T. Kenrick, Vladas Griskevicius
Jeffrey E. Young, Janet S. Klosko