and stood smiling, a picture of prosperity and good will. His shoes were a shiny orange, and he had on a citified straw hat, a light-blue suit, and a cat’s-head stickpin in his tie. Eva smiled and told him to sit himself down. He smiled too.
“How you been, girl?”
“Pretty fair. What you know good?” When she heard those words come out of her own mouth she knew that their conversation would start off polite. Although it remained to be seen whether she would still run the ice pick through the cat’s-head pin.
“Have some lemonade.”
“Don’t mind if I do.” He swept his hat off with a satisfied gesture. His nails were long and shiny. “Sho is hot, and I been runnin’ around all day.”
Eva looked out of the screen door and saw a woman in a pea-green dress leaning on the smallest pear tree. Glancing back at him, she was reminded of Plum’s face when he managed to get the meat out of a walnut all by himself. Eva smiled again, and poured the lemonade.
Their conversation was easy: she catching him up on all the gossip, he asking about this one and that one, and like everybody else avoiding any reference to her leg. It was like talking to somebody’s cousin who just stopped by to say howdy before getting on back to wherever he came from. BoyBoy didn’t ask to see the children, and Eva didn’t bring them into the conversation.
After a while he rose to go. Talking about his appointments and exuding an odor of new money and idleness, he danced down the steps and strutted toward the pea-green dress. Eva watched. She looked at the back of his neck and the set of his shoulders. Underneath all of that shine she saw defeat in the stalk of his neck and the curious tight way he held his shoulders. But still she was not sure what she felt. Then he leaned forward and whispered into the ear of the woman in the green dress. She was still for a moment and then threw back her head and laughed. A high-pitched big-city laugh that reminded Eva of Chicago. It hit her like a sledge hammer, and it was then that she knew what to feel. A liquid trail of hate flooded her chest.
Knowing that she would hate him long and well filled her with pleasant anticipation, like when you know you are going to fall in love with someone and you wait for the happy signs. Hating BoyBoy, she could get on with it, and have the safety, the thrill, the consistency of that hatred as long as she wanted or needed it to define and strengthen her or protect her from routine vulnerabilities. (Once when Hannah accused her of hating colored people, Eva said she only hated one, Hannah’s father BoyBoy, and it was hating him that kept her alive and happy.)
Happy or not, after BoyBoy’s visit she began her retreat to her bedroom, leaving the bottom of the house more and more to those who lived there: cousins who were passing through, stray folks, and the many, many newly married couples she let rooms to with housekeeping privileges, and after 1910 she didn’t willingly set foot on the stairs but once and that was to light a fire, the smoke of which was in her hair for years.
Among the tenants in that big old house were the children Eva took in. Operating on a private scheme of preference and prejudice, she sent off for children she had seen from the balcony of her bedroom or whose circumstances she had heard about from the gossipy old men who came to play checkers or read the Courier, or write her number. In 1921, when her granddaughter Sula was eleven, Eva had three such children. They came with woolen caps and names given to them by their mothers, or grandmothers, or somebody’s best friend. Eva snatched the caps off their heads and ignored their names. She looked at the first child closely, his wrists, the shape of his head and the temperament that showed in his eyes and said, “Well. Look at Dewey. My my mymymy.” When later that same year she sent for a child who kept falling down off the porch across the street, she said the