said.
OâNeill took it and dabbed at her eyes. âThank you,â she replied. âIâll be all right.â
âWas it something I said?â Kenyon asked.
âNo, I was just thinking about Lydia,â replied OâNeill. âHer memorial service was two days ago. It was very beautiful. Iâm sorry you couldnât be there.â
âYeah, well,â Kenyon pointed to his posterior, âI was in the hospital.â
OâNeill nodded, wiping her nose. She offered the napkin back, but Kenyon motioned to her to keep it. âI take it you were good friends with Lydia?â
âShe was a wonderful friend. She supported me while I qualified for the bar.â OâNeill waved her arm around the book-lined room. âShe helped me find a position with this firm. She was so kind to meâI donât know what I would have made of my life without her.â
âThat was very sweet of her,â replied Kenyon. âShe must have been a very generous person.â
âShe was an angel,â replied OâNeill. âI still canât believe sheâs, sheâs . . .â
She began to cry again; this time, Kenyon waited patiently until her sobs subsided into sniffles.
âYou must think Iâm an awful solicitor,â she said.
âNo, not at all. I wish more lawyers had a heart like you.â
OâNeill smiled. âThatâs kind of you to say.â She looked carefully at Kenyonâs face. âYou know, you remind me of her.â
âThanks. I should tell you, though, we werenât really related. I was adopted by her folks when I was a baby.â
âShe spoke of you often. She was very proud of you.â
âShe did?â said Kenyon, surprised. âI mean, she was? How come? I never even met her.â
OâNeill shrugged. âI donât know. She said you were with the FBI , and she was very happy for you.â
Kenyon returned to his chair and sat down. âYou know, itâs sad. Lydia and her dad never got along. Here she is, leaving me all this stuff, and I never even so much as saw a picture of her.â
OâNeill came from behind the desk and stood beside him, pointing over his shoulder. âThatâs a picture of her, there.â
Kenyon turned and looked at the nude in the oil painting. âThatâs her ?â His ears burned red as he thought of his feelings of attraction the first time he looked at the painting.
âIt was done in her home,â continued OâNeill, oblivious of his discomfort. âShe insisted I have it just before, you know, before . . .â
This time, Kenyon stood up and placed an arm around her and held her close, the top of her head resting against his chest. Her shoulders shook for a moment as Kenyon stroked her hair. It was soft, he noted, and smelled of peaches.
When she finally stopped, Kenyon leaned over to catch her eye. âListen, maybe I can take you out for a drink while Iâm here; you can tell me all about Lydia. Iâd love to hear more about her.â
She smiled briefly. âIâd like that.â
âGreat. Let me find a place to stay, and Iâll give you a call and leave you a message.â
OâNeill shook her head firmly. âI wouldnât even think of letting you stay in a hotel.â
Kenyon held up his hand. âThanks for the invite, but I couldnât put you out by staying at your place. Youâve got a lot to do, and Iâd just be a distraction.â
âI wasnât thinking of my home, you silly. I meant Lydiaâs.â
Kenyon glanced around at the painting of Lydia, then back at OâNeill. âI donât know . . .â he started. For some reason, he felt creepy about staying in a nude dead womanâs home.
âDonât worry, youâll be fine. Lydia had a housekeeper; Iâll give her a call and have her pick up some groceries for