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a boarded-up fireplace. In the back were the bathroom and three bedrooms, all tiny and dark, but Justine swept through flinging up windowshades and stirring the thick, musty air.
       "Look! Someone left a pair of pliers," she said. "And here's a chair we can use for the porch." She was a pack rat; all of them were. It was a family trait. You could tell that in a flash when they started carrying things in from the truck-the bales of ancient, curly-edged magazines, zipper bags bursting with unfashionable clothes, cardboard boxes marked Clippings, Used Wrapping Paper, Photos, Empty Bottles. Duncan and Justine staggered into the grandfather's room carrying a steel filing cabinet from his old office, stuffed with carbon copies of all his personal correspondence for the twenty-three years since his retirement. In one corner of their own room Duncan stacked crates of machine parts and nameless metal objects picked up on walks, which he might someday want to use for some invention. He had cartons of books, most of them second-hand, dealing with things like the development of the quantum theory and the philosophy of Lao-tzu and the tribal life of Ila-speaking Northern Rhodesians. But when all of this clutter had been brought in (and it took the four of them two hours) there was next to nothing left in the truck.
       Their furniture was barely enough to make the house seem inhabited: three rust-stained mattresses, four kitchen chairs from Goodwill, Great-Grandma's hand-carved rosewood dining table, a sagging sofa and easy chair donated by a neighbor two moves back, and three bureaus of Justine's mother's, their ornate feet and bow fronts self-conscious next to the bedsteads Duncan had constructed out of raw pine boards that gave off a yellow smell. For dishes they had a collection of dimestore plates, some light green, some flowered, some dark brown with white glaze dripped around the edges, and thermal mugs given away free when Esso changed to Exxon. The cutlery with its yellow plastic handles had been salvaged from Aunt Sarah's English picnic basket. There were two saucepans and a skillet. (Justine did not like cooking.) They owned a broom and a sponge mop, but no dustpan, no vacuum cleaner, no squeegee, scrub bucket, or chamois cloth. (Justine did not like cleaning either.) No washing machine or dryer. When all the clothes in the house were dirty the family would lug them to the laundromat. Of course that was not much fun-the four of them struggling with their bulging pillow slips, the grandfather's head ducked way, way low in case of passers-by, all of them a little bedraggled in their very last clean clothes unearthed from the bottom of the drawer or the back of the closet-but wasn't it better than moving those shiny, heavy appliances from place to place? Why, by late afternoon they were completely settled in. There was nothing more to do. It was true that most of the boxes remained to be opened but that was nothing, some were still packed from the last move. There was no hurry. Justine was free to stretch out on her mattress, which had the piney-wood smell of home, and work her feet from her shoes and smile at the ceiling while the cat lay on her stomach like a twenty-pound, purring hot water bottle. Duncan could sit on the edge of the bed fooling with a stroboscope he had forgotten he owned. Meg could shut her door and unwrap, from its own special box, from seven layers of tissue paper, her framed photograph of a young man in a clerical robe at least a size too large, which she rewrapped almost immediately and slid to the back of her closet shelf. And in his room across the hall the grandfather could take a photo of his own from his pocket: Caleb Peck in tones of brown, framed in gold, wearing a hat and tie, his face stark and dignified, playing a violoncello while seated in an open stable door twenty feet off the ground.
       Duncan took a tour of the Blue Bottle Antique Shop with Silas Amsel, the owner. Since he had