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with scythes, flaming torches, live animals, rare porcelain vases, pink jade hatchets, silver bells, gilded cups, wagon wheels, bronze vessels, and never missing a catch. The citizens applauded politely but did not seem impressed. After the jugglers, the dancers returned, performing this time on stilts; the waiters brought platters of steaming meat of a pale lavender color, unfamiliar in taste and texture: filet of camel, perhaps, or haunch of hippopotamus, or possibly some choice chop from a young dragon. There was more wine. Feebly Phillips tried to wave it away, but the servitors were implacable. This was a drier sort, greenish-gold, austere, sharp on the tongue. With it came a silver dish, chilled to a polar coldness, that held shaved ice flavored with some potent smoky-flavored brandy. The jugglers were doing a second turn, he noticed. He thought he was going to be ill. He looked helplessly toward Gioia, who seemed sober but fiercely animated, almost manic, her eyes blazing like rubies. She touched his cheek fondly. A cool draft blew through the hall: they had opened one entire wall, revealing the garden, the night, the stars. Just outside was a colossal wheel of oiled paper stretched on wooden struts. They must have erected it in the past hour: it stood a hundred fifty feet high or even more, and on it hung lanterns by the thousands, glimmering like giant fireflies. The guests began to leave the hall. Phillips let himself be swept along into the garden, where under a yellow moon strange crook-armed trees with dense black needles loomed ominously. Gioia slipped her arm through his. They went down to a lake of bubbling crimson fluid and watched scarlet flamingolike birds ten feet tall fastidiously spearing angry-eyed turquoise eels. They stood in awe before a fat-bellied Buddha of gleaming blue tilework, seventy feet high. A horse with a golden mane came prancing by striking showers of brilliant red sparks wherever its hooves touched the ground. In a grove of lemon trees that seemed to have the power to wave their slender limbs about, Phillips came upon the Emperor, standing by himself and rocking gently back and forth. The old man seized Phillips by the hand and pressed something into his palm, closing his fingers tight about it; when he opened his fist a few moments later he found his palm full of gray irregular pearls. Gioia took them from him and cast them into the air, and they burst like exploding firecrackers, giving off splashes of colored light. A little later, Phillips realized that he was no longer wearing his surplice or his white silken undergown. Gioia was naked, too, and she drew him gently down into a carpet of moist blue moss, where they made love until dawn, fiercely at first, then slowly, languidly, dreamily. At sunrise he looked at her tenderly and saw that something was wrong.
    “Gioia?” he said doubtfully.
    She smiled. “Ah, no. Gioia is with Fenimon tonight. I am Belilala.”
    “With—Fenimon?”
    “They are old friends. She had not seen him in years.”
    “Ah. I see. And you are—?”
    “Belilala,” she said again, touching her fingertips to his cheek.
    It was not unusual, Belilala said. It happened all the time; the only unusual thing was that it had not happened to him before now. Couples formed, traveled together for a while, drifted apart, eventually reunited. It did not mean that Gioia had left him forever. It meant only that just now she chose to be with Fenimon. Gioia would return. In the meanwhile he would not be alone. “You and I met in New Chicago,” Belilala told him. “And then we saw each other again in Timbuctoo. Have you forgotten? Oh, yes, I see that you have forgotten!” She laughed prettily; she did not seem at all offended.
    She looked enough like Gioia to be her sister. But, then, all the citizens looked more or less alike to him. And apart from their physical resemblance, so he quickly came to realize, Belilala and Gioia were not really very similar. There was a