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Joshua Smith’s villa—the Villa Haydn in Brasilia—demonstrated beyond all question the vast gulf that lay between a multi-billionaire and the merely rich. The furnishings, mainly Louis XIV and not the shadow of an imitation in sight, the drapes, from Belgium and Malta, the carpets, ancient Persian to the last one, and the pictures, ranging all the way from Dutch Old Masters to the Impressionists, all spoke not only of immense wealth but also a hedonistic determination to use it to its maximum. But for all that vast opulence there was nonetheless displayed an exquisite good taste in that everything matched and blended in something very, very close to perfection. Clearly, no modern interior decorator had been allowed within a mile of the place.
    The owner matched up magnificently to all this magnificence. He was a large, well-built and dinner-suited man of late middle age who lookedabsolutely at home in one of the huge armchairs that he occupied close to a sparkling pine log fire.
    Joshua Smith, still dark in both hair and moustache, the one brushed straight back, the other neatly trimmed, was a smooth and urbane man, but not too smooth, not too urbane, much given to smiling and invariably kind and courteous to his inferiors which, in his case, meant just about everybody in sight. With the passage of time, the carefully and painstakingly acquired geniality and urbanity had become second nature to him (although some of the original ruthlessness had had to remain to account for his untold millions). Only a specialist could have detected the extensive plastic surgery that had transformed Smith’s face from what it once had been.
    There was another man in his drawing-room, and a young woman. Jack Tracy was a young-middle-aged man, blond, with a pock-marked face and a general air of capable toughness about him. The toughness and capability were undoubtedly there—they had to be for any man to be the general manager of Smith’s vast chain of newspapers and magazines.
    Maria Schneider, with her slightly dusky skin and brown eyes, could have been South American, Southern Mediterranean or Middle Eastern. Her hair was the colour of a raven. Whatever her nationality she was indisputably beautiful with a rather inscrutable face but invariably watchful penetrating eyes. She didn’t look kind or sensitivebut was both. She looked intelligent and had to be: when not doubling—as rumour had it—as Smith’s mistress she was his private and confidential secretary and it was no rumour that she was remarkably skilled in her official capacity.
    The phone rang. Maria answered, told the caller to hold and brought the phone on its extension cord across to Smith’s armchair. He took the phone and listened briefly.
    ‘Ah, Hiller!’ Smith, unusually for him, leant forward in his armchair. There was anticipation in both his voice and posture. ‘You have, I trust, some encouraging news for me. You have? Good, good, good. Proceed.’
    Smith listened in silence to what Hiller had to say, the expression on his face gradually changing from pleasure to the near beatific. It was a measure of the man’s self-control that, although apparently in a near transport of excitement, he refrained from either exclamations, questions or interruptions and heard Hiller through in silence to the end.
    ‘Excellent!’ Smith was positively jubilant. ‘Truly excellent. Frederik, you have just made me the happiest man in Brazil.’ Although Hiller claimed to be called Edward, his true given name would have appeared to be otherwise. ‘Nor, I assure you, will you have cause to regret this day. My car will await you and your friends at the airport at eleven a.m.’ He replaced the receiver. ‘I said I could wait forever. Forever is today.’
    Moments passed while he gazed sightlessly into the flames. Tracy and Maria looked at each other without expression. Smith sighed, gradually bestirred himself, leaned back into his armchair, reached into his pocket, brought