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unrelated except in so far as their upholstery has the faded look of the coat of a very old terrier. One wall is embrasured with three deep window bays hung with dusty velvet curtains, while the other three are lined with towering bureaux behind whose lozenged bars rot a thousand books, untouched by little save time, for the Mickledores were never famed for their intellectuality.
‘In nineteen sixty-three the incumbent baronet seemed cast in the traditional mould of Mickledore men, tall, blond, handsome, athletic, with an exuberant manner that might in a lesser man have been called hearty.
'Yet there was another side to Ralph Mickledore - Mick to his friends - as evidenced perhaps by his close friendship with that most unhearty of men, James Westropp. At his trial, the defence projected him as the perfect type of English eccentricity, a country squire who ran his estate as if the twentieth century hadn't arrived, with Shire horses pulling his ploughs, a water-mill grinding his grain, and poachers offered the choice of a Mickledore boot up the bum or a Mickledore beak on the Bench.
‘It was, however, a very different picture that the prosecution inked in. Victorian values might be the order of the day at the Hall, but away from Yorkshire, Sir Ralph came across as a Restoration roue. Nightclubs, casinos, racetracks, the grey area where the haut-monde overlapped with the demi-monde, here was his urban habitat. The gap between his two lifestyles was presented not as harmless eccentricity but as black hypocrisy. And by the end of nineteen sixty-three, juries were very ready to think the worst of their social superiors, though, as we shall see, it was not this cynicism alone which helped confer on Ralph Mickledore the unenviable distinction of being the last man to hang in Mid-Yorkshire.
'The house party assembled on Friday, August the second, for a long weekend taking in the following Monday, which was then the now defunct August Bank Holiday. The great and the good were all spilling out of London after the almost unbearable melodrama of the Stephen Ward trial. Though he once provided not the least sensational headlines in this most sensational of years, Dr Ward may have faded completely from some listeners' minds, so perhaps a little potted history would go down well here as an entree to the main course.
'In March that year, John Profumo, the Minister of War (in those less mealy-mouthed days we had not yet invented Ministers of Defence) had resigned after it emerged that he had lied to Parliament when denying allegations of an improper relationship with a young woman named Christine Keeler. The impropriety was more than simply sexual. Miss Keeler was also alleged to have been the mistress of Captain Yuri Ivanov, a Russian naval attache known by British Security to be an officer of the KGB. Such a link, however tenuous, between a Government Minister and an enemy agent, was clearly undesirable. But it was the lie to his colleagues that broke him.
‘The man who had introduced both Profumo and Ivanov to Keeler was a London osteopath and artist, Dr Stephen Ward, who besides manipulating the bones and painting the portraits of many highly placed people, also, it was alleged, provided more intimate services. Amid spiralling rumours of upper class debauchery on a scale to inspire a new Satyricon, Dr Ward was finally brought to trial at the end of July on three charges of living on the earnings of prostitution, and two concerned with procuring minors.
'On Wednesday July the thirty-first, which seemed likely to be the trial's final day, the court and the nation were shocked to learn that Ward had taken an overdose of sleeping pills the previous night and was critically ill. Despite this news, the judge summed up, the jury deliberated, and in mid-morning a verdict was delivered of Guilty on two of the immoral earnings charges, Not Guilty on the rest.
    'Sentencing was postponed till Dr Ward should have recovered. When the house party