the delicately elongated neuronal cells that spark the synaptic connections that give rise to consciousness. I loved the combination of abstract knowledge and total physicality that brain surgery presented. To access the brain, one must pull away the layers of skin and tissue covering the skull and apply a high-speed pneumatic device called a Midas Rex drill. It’s a very sophisticated piece of equipment, costing thousands of dollars. Yet when you get down to it, it’s also just . . . a drill.
Likewise, surgically repairing the brain, while an extraordinarily complex undertaking, is actually no different than fixing any other highly delicate, electrically charged machine. That, I knew full well, is what the brain really is: a machine that produces the phenomenon of consciousness. Sure, scientists hadn’t discovered exactly how the neurons of the brain managed to do this, but it was only a matter of time before they would. This was proven every day in the operating room. A patient comes in with headaches and diminished consciousness. You obtain an MRI (magnetic resonance image) of her brain and discover a tumor. You place the patient under general anesthesia, remove the tumor, and a few hours later she’s waking up to the world again. No more headaches. No more trouble with consciousness. Seemingly pretty simple.
I adored that simplicity—the absolute honesty and cleanness of science. I respected that it left no room for fantasy or for sloppy thinking. If a fact could be established as tangible and trustworthy, it was accepted. If not, then it was rejected.
This approach left very little room for the soul and the spirit, for the continuing existence of a personality after the brain that supported it stopped functioning. It left even less room for those words I’d heard in church again and again: “life everlasting.”
Which is why I counted on my family—on Holley and our boys and my three sisters and, of course, my mom and dad—so much. In a very real sense, I’d never have been able to practice my profession—to perform, day in and day out, the actions I performed, and to see the things I saw—without the bedrock support of love and understanding they provided.
And that was why Phyllis (after consulting our sister Betsy on the phone) decided that night to make a promise to me on behalf of our whole family. As she sat there with my limp, nearlylifeless hand in hers, she told me that no matter what happened from then on, someone would always be right there, holding my hand.
“We are not letting you go, Eben,” she said. “You need an anchor to keep you here, in this world, where we need you. And we’ll provide it.”
Little did she know just how important that anchor was going to prove in the days to come.
7.
The Spinning Melody and the Gateway
S omething had appeared in the darkness.
Turning slowly, it radiated fine filaments of white-gold light, and as it did so the darkness around me began to splinter and break apart.
Then I heard a new sound: a living sound, like the richest, most complex, most beautiful piece of music you’ve ever heard. Growing in volume as a pure white light descended, it obliterated the monotonous mechanical pounding that, seemingly for eons, had been my only company up until then.
The light got closer and closer, spinning around and around and generating those filaments of pure white light that I now saw were tinged, here and there, with hints of gold.
Then, at the very center of the light, something else appeared. I focused my awareness, hard, trying to figure out what it was.
An opening. I was no longer looking at the slowly spinning light at all, but through it.
The moment I understood this, I began to move up. Fast. There was a whooshing sound, and in a flash I went through the opening and found myself in a completely new world. The strangest, most beautiful world I’d ever seen.
Brilliant, vibrant, ecstatic, stunning . . . I could heap on one