Orphans of the Sky
a semi-reclining position, footrest to head support.
           But something was happening on the panel in front of Joe-Jim; he caught it out of the corner of his eye and turned to look. Bright red letters glowed near the top of the board: 2ND ASTROGATOR POSTED. What was a second astrogator? He didn't know—then he noticed that the extreme top of his own board was labeled 2ND ASTROGATOR and concluded it must be himself, or rather, the man who should be sitting there. He felt momentarily uncomfortable that the proper second astrogator might come in and find him usurping his post, but he put it out of his mind—it seemed unlikely.
           But what was a second astrogator, anyhow?
           The letters faded from Joe-Jim's board, a red dot appeared on the left-hand edge and remained. Joe-Jim did something with his right hand; his board reported: ACCELERATION—ZERO, then MAIN DRIVE. The last two words blinked several times, then were replaced with NO REPORT. These words faded out, and a bright green dot appeared near the right-hand edge.
           "Get ready," said Joe, looking toward Hugh; "the light is going out."
           "You're not going to turn out the light?" protested Hugh.
           "No—you are. Take a look by your left hand. See those little white lights?"
           Hugh did so, and found, shining up through the surface of the chair arm, eight bright little beads of light arranged in two squares, one above the other.
           "Each one controls the light of one quadrant," explained Joe. "Cover them with your hand to turn out the light. Go ahead—do it."
           Reluctantly, but fascinated, Hugh did as he was directed. He placed a palm over the tiny lights, and waited. The silvery sphere turned to dull lead, faded still more, leaving them in darkness complete save for the slight glow from the instrument panels. Hugh felt nervous but exhilarated. He withdrew his palm; the sphere remained dark, the eight little lights had turned blue.
           "Now,"said Joe, I'm going to show you the stars!"
           In the darkness, Joe-Jim's right hand slid over another pattern of eight lights.
     
           Creation.
           Faithfully reproduced, shining as steady and serene from the walls of the stellarium as did their originals from the black deeps of space, the mirrored stars looked down on him. Light after jeweled light, scattered in careless bountiful splendor across the simulacrum sky, the countless suns lay before him—before him, over him, under him, behind him, in every direction from him. He hung alone in the center of the stellar universe.
           "Oooooh!" It was an involuntary sound, caused by his indrawn breath. He clutched the chair arms hard enough to break fingernails, but he was not aware of it. Nor was he afraid at the moment; there was room in his being for but one emotion. Life within the Ship, alternately harsh and workaday, had placed no strain on his innate capacity to experience beauty; for the first time in his life he knew the intolerable ecstasy of beauty unalloyed. It shook him and hurt him, like the first trembling intensity of sex.
           It was some time before Hugh sufficiently recovered from the shock and the ensuing intense preoccupation to be able to notice Jim's sardonic laugh, Joe's dry chuckle. "Had enough?" inquired Joe. Without waiting for a reply, Joe-Jim turned the lights back on, using the duplicate controls mounted in the left arm of his chair.
           Hugh sighed. His chest ached and his heart pounded. He realized suddenly that he had been holding his breath the entire time that the lights had been turned out. "Well, smart boy," asked Jim, "are you convinced?"
           Hugh sighed again, not knowing why. With the lights back on, he felt safe and snug again, but was possessed of a deep sense of personal loss. He knew, subconsciously, that, having seen the stars, he would never be happy again. The

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