'penis,'
and being told with a triumphant smirk that it is 'candle' instead, we may with some annoyance put that dubious object back into the poem to function as a dildo rather than a light.
The purest tale can still be blue, given a big blue eye, as that crafty old pornographer, Samuel Richardson, demonstrated more than once; for instance, when he wrote Pamela, the edifying history of a prick tease—a book bluer than any movie.
* * *
Aching puberry indeed. The awkward figure in that snapshot I referred to earlier was the first completely naked woman I had ever seen, and her very awkwardness, the cheapness of the camera, the amateurishness of print, pose, and light, the common-place reality of the trailer, made her bewildered breasts and puffy pubic hair yearningly real too, as if the photograph were a doorway or a window opening toward a nudity so ordinary it might have been anyone's—mine—yours—yes, in just that way it was a window, became a door, and although I felt sorry for the girl and even shared her humiliation, I stared—ashamed of my own heat—her helplessness as exciting as her sex—I stared—I lapped her up, left the picture-paper clean as a cat's saucer; because finally, when one day I looked, she was no longer there, not even the weed caused any commotion. The window had pulled its own shade. So like a sultan I soon gave her away since she was once again only a fifty-cent image, an eyeful at the boy-pull and occasion for a furtive jerk.
Yet what had I seen when I stared? She was so girlish and so naked, so simply there, that a description of her, had I attempted it, would have failed for want of attention. Too real to be porno-graphic, I saw not the forbidden image but the forbidden object of that image, the great mystery itself, the subject of a thousand dreams, a hundred thousand stories. I saw what all my organs seemed to stir for . . . and I took fright. Were her breasts like ivory globes circled with blue, then? were they a pair of maiden worlds unconquered? Of course not, but I would have wanted to think so. Fuddle-eyed innocence can only say, Gee Whiz. And the knowing writer—whose carnal knowledge begins with Gee Whiz and ends at Ho H u m without apparently stopping at any station in between—hunts among his comparisons like Wilde through his wardrobe for something he may have handy of a suitably similiar color, size, softness, and value.
Perhaps mounds of ice cream topped by a cherry? slopes of virginal snow, alabaster idols, golden apples, hills and hum-mocks, berries? ah, of course, a plump pair of pillows.
The singer of the Song of Solomon declares that the breasts of his beloved are two graceful young roes, that they are clusters of grapes, that they are towers; but I am not prepared to believe this crook-carrying poet, whose mind is exclusively on money, food, drink, and the increase of his herds.
t Behold, thou art fair, my love; behold thou art fair; thou hast doves' eyes within thy locks: thy hair is as a flock of goats, that appear from mount Gilead.
2 Thy teeth are like a flock of sheep that are even shorn, which came up from the washing; whereof every one bear twins, and none is barren among them.
3 Thy lips are like a thread of scarlet, and thy speech is comely: thy temples are like a piece of pomegranate within thy locks.
4 Thy neck is like the tower of David builded for an armoury, whereon there hang a thousand bucklers, all shields of mighty men.
5 Thy two breasts are like two young roes that are twins, which feed among the lilies.
These comparisons are always unfairly one-sided and often reveal, as in the singer above, an unpleasant preference for perfume, property, and plunder. One may decide that the nipple most nearly resembles a newly ripened raspberry (never, be it noted, the plonk of water on a pond at the commencement of a drizzle, a simple bladder nozzle built on the suction principle, gum bubble, mole, or birth wart, bumpy metal button, or the painful