Read Odd Interlude Part Two for Free Online Page A

to appear suddenly afflicted, as with a seizure or a stroke. Most people don’t have sympathy for sloppy drunks who might vomit on them, but they’re likely to rush to the aid of a clean-cut young fellow who seems to have been suddenly dealt a cruel blow by fate. Unfortunately, I am about to contribute to one good Samaritan’s transformation into a cynic.
    I make no claim to being an actor. Therefore, as I stagger into the middle of the road, I hold in my mind’s eye the image of Johnny Depp playing Jack Sparrow on the way to the gallows, toning down the flamboyance but not too much. I collapse onto my left side, half in one lane and half in the other, my eyes squinched shut and my face contorted in agony, with the hope that the truck driver doesn’t turn out to be the sloppy drunk that I am striving not to appear to be.
    As the air brakes hiss, I’m relieved that I won’t have my head crushed by a massive long-haul tire. The door opens, and there’s a clank that might be a cleated boot landing on the cab step. As he hurries to me, the driver makes a jingling sound. I assume he’s not Santa Claus, that what I’m hearing is a cluster of keys chained to his belt and a lot of coins in his pockets.
    When he kneels before me, he
does
appear to be Saint Nick, though barbered for a summer vacation: his luxuriant holiday mustache and beard still white but considerably trimmed down, his flowing locks cut back. His eyes still twinkle, however, and his dimples are merry, his cheeks like roses, his nose like a cherry. His belly doesn’t shake like a bowl full of jelly, but he would be well advised to forego a truck-stop cheeseburger now and then in favor of a salad.
    “Son,” he says, “what’s wrong, what’s happened?”
    Before responding, I wince, not with pain and not because I’m getting better at this acting business. There’s such genuine concern in his face and voice, and he puts one hand on my shoulder with such tenderness, that I have no doubt I’ve chosen to hijack the truck of a nice man. I’d feel better about this if the driver were a snake-eyed, stubbled, scar-faced, cruel-mouthed, sneering lout in a T-shirt that said SCREW YOU, with swastikas tattooed on his arms. But I can’t keep lurching into the road and collapsing in front of eighteen-wheelers all morning until I find my ideal victim.
    I pretend to have trouble speaking, sputtering out a series of muffled syllables that almost seem to mean something, as if my tongue is half again as thick as it ought to be. This has the desired effect of causing him to lean in closer and to ask me to repeat what I’ve just said, whereupon I draw the pistol from beneathmy sweatshirt, poke the barrel into his gut, and snarl in my best tough-guy voice, “You don’t have to die here, that’s up to you,” though to my ear I sound about as tough as Mickey Mouse.
    Happily, he’s a sucker for bad acting and not a savvy judge of character. His eyes widen, and all the twinkle in them goes as flat as a glass of 7UP left exposed to the air for a day. His dimples don’t look so merry anymore; they appear to be puckered scars. Once like a bow, his mouth sort of unties itself a little, trembling, as he says, “I’ve got a family.”
    Before traffic comes along, I’ve got to get this done. We rise warily to our feet as I continue to press the gun into his belly.
    “You want to see your kids again,” I warn him, “come along quiet like to the driver’s door.”
    He accompanies me without resistance, putting his hands up until I order him to put them down and act natural, but he isn’t quiet and in fact he babbles. “I don’t have children, wish I did, love kids, it just never was meant to be.”
    “But you want to see your wife again, so be cool.”
    “Veronica died five years ago.”
    “Who?”
    “My wife. Cancer. I miss her a lot.”
    I’m stealing the truck of a childless widower.
    As we arrive at the driver’s door, I remind him that he said he had a