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all the traces of age and surgery and hard living disappeared; and, just like that, they were young and perfect again. They didn’t wake up, which was probably as well. Let Walker send some people down to help them, and hopefully get them home again.
    Suzie and I had other business.
    I considered what must be happening, in all the best clubs and bars and parlours in the Nightside above, as rich and powerful faces were suddenly struck down with years, and the many results of debauchery and surgical choices. I visualised them screaming in pain and shock and horror as they all finally assumed their real faces. What better revenge could there be?
    “You’re smiling that smile again,” said Suzie. “That I’ve just done something really nasty and utterly justified and no-one’s ever going to be able to pin it on me smile.”
    “How well you know me,” I said. “Now, where were we? Ah yes—the Baron.”
    “Bad man,” said Suzie Shooter. She worked the action on her shotgun. “I will make a wicker man out of his nurses and burn him alive.”
    “I love the way you think,” I said.

* * * *
    We found another door that opened on to another stairwell, leading down into hell. We crept quietly down the bare concrete steps. The Baron had to have heard the fire-fight above him; but he had no way of knowing who’d won. Suzie led the way, shotgun at the ready, and I struggled to maintain my gift, searching the descent below us with my inner eye for hidden traps or alarms. But the stairwell remained still and quiet, and there wasn’t even a glimpse of a bamboo nurse.
    The smell hit me first. A thick stench of spilled blood and spoiled meat, of foul things done in a foul place. It grew stronger as we descended the last few steps and found ourselves facing a simple wooden door. The air was hot and sweaty, almost oily on my bare skin. It was the heat of opened bodies in a cold room, the pulsing warmth of inner things exposed to the light. Frankenstein . . . I pushed quietly past Suzie, and tried the handle. It wasn’t locked. I went inside, and Suzie was right there with me, silent as an avenging ghost.
    We were in a great stone chamber, carved out of the very bedrock itself. Rough pitted walls and ceiling, and an uneven floor partly covered with blood-stained matting. Naked light bulbs hung down on long, rusting chains, filling the chamber with harsh and unforgiving illumination. There were shadows, but not nearly enough to hide what had been done in this place. Trestle tables had been set up in long rows, and each of them bore a human body, or bits of bodies. Men and women had been opened up, and the parts dissected. White ribs gleamed in dark red meat. Piles of entrails steamed in the cool air. Heavy leather restraining straps held the bodies to the tables. They had been alive when the cutting began.
    The Baron had gone back to his old surgical experiments. Frankenstein, the living god of the scalpel.
    He was standing at the far end of the room, wearing a blood-spattered butcher’s apron over his cream suit, half-bent over the body on the table before him. It had been a young woman, though it was hard to tell that now. The Baron looked up at me, startled, his scalpel raised, dripping blood. We’d interrupted him at his work.
    “Get out,” he said. “You can’t be here. I’m doing important work here.”
    “This isn’t a surgery,” I said. “It’s a slaughter-house.”
    He straightened up, and, with almost prissy precision, put his scalpel down beside the woman’s body. “No,” he said calmly. “A slaughter-house is a place of death. This is a salon dedicated to life. Look beyond the obvious, Mr. Taylor. I am working to frustrate death, to cheat him of his victims. I take dead flesh and make it live again, all through my own efforts. You have no idea of the wonders and glories I’ve seen inside people.”
    He came out from behind the table to face Suzie and me, wiping the blood from his bare hands with a bit