cosy moments together (cosy for me, that is) when I have given her cues from behind the set, but otherwise she has always seemed to look straight through me as if I were a pane of glass. And so she should. The poor woman has enough on her plate without me making demands on her. I have to keep reminding myself that she is the most famous film star in the world, trying to keep up with the most famous actor in the world â and he is not the easiest man to please.
With Marilyn off the set we spent a boring day preparing to do the exterior shots, and it was not until 5.30 in the evening that I got
to Olivierâs dressing room to check with him before he left for home. Milton was already there, and they had obviously, from the state of the whisky bottle and the ashtray, had another of those long and intense conferences that seemed to lead nowhere at all.
âWeâve decided to give Marilyn another day off tomorrow,â said Olivier firmly. âMilton says sheâs upset about Arthurâs departure, and now she can have a long weekend to pull herself together. One rather wonders,â he continued grimly, âif she ever asks herself why so many people need a break from her presence.â
âThatâs not fair, Larry. Perhaps she needs a break from us,â said Milton. He is never malicious about anyone, except possibly Paula, and he âd certainly never dare even to think unkind thoughts about Marilyn.
âQuite so, dear boy,â said Olivier. âWell, let us say that she can rest, and take a little time to learn her lines.â
I was wondering what on earth Marilyn would do in that big house, all alone with Paula for a long weekend, when the phone rang. Milton happened to be standing next to it, and he picked it up. He practically lives on the telephone, so whenever it rings he always assumes it will be for him. And it usually is, often from the USA.
âMilton Greene. Oh, Roger. Everything OK? Whaddya want?â
Suddenly his face seemed to crumple a little. âYes. Heâs here.â He looked at me.
âIt âs for you.â
âFor me?â
Olivier nearly exploded. âWho is Roger? What the hellâs going on?â
I took the phone. âWhat âs the matter, Roger?â
âColin.â Roger sounded very formal. âMiss Monroe wants you to come via Parkside House on your way home this evening.â
âMe? Why me? Is Marilyn OK?â I asked.
Giggle. âIâm OK,â said Marilynâs voice cheerfully. âIn fact Iâm standing right here!â
If Milton had had false teeth he would have swallowed them.
Like a trained dog, he had caught the unmistakable inflexion of his mistressâs voice, and his mouth froze in terror.
âWho the fuck is on the bloody telephone?â roared Olivier, naturally furious at being excluded.
âIt âs Marilyn,â whispered Milton.
âMARILYN?â
âMonroe.â
âYes, I know who Marilyn is, for God âs sake.â
I heard Marilyn giggle again at the other end of the line.
âBut what is my star doing phoning my third assistant director in my dressing room?â
âThat âs my boy,â said Marilyn. âSee you later, Colin. OK?â
âVery well, Miss Monroe. If you say so.â
Mercifully she hung up before I got fired.
âMiss Monroe was just ringing to tell me that she will not be coming to the studio tomorrow.â
âWe knew that,â spluttered Olivier. âAnd why is she telling you, and not me?â
âWell, you sent me into her dressing room to ask that question yesterday, so I assume she thinks you want me to be the messenger about that sort of thing.â
âHmph! Well, what else did she say?â
âNothing.â
âColin, I heard her say something else.â
âShe heard your voice in the background, asking who was on the phone.â
As always, Olivier forgot that he had