ear of corn she was devouring. The well-preservedwoman’s face a mask of bronze with cunningly welded seams, but her hand an exclamatory flash as it touched her son’s friend’s arm in some conversational urgency lost in the crackle of driftwood. The halo of hair around Ian’s knees, innocent as babies’ pates. Jenny’s hair an elongated flurry as she turned to speak to the older couple’s son; his bearded face was a blur in the shadows, melancholy, the eyes seeming closed, like the Jesus on a faded, drooping veronica. I heard Jenny say, “…
must
destroy the system! We’ve forgotten how to
love!
” Deirdre’s glasses, catching the light, leaped like moth wings toward the fire, escaping perspective. Beside me, the old man’s face went silent, and suffered a deflation wherein nothing held firm but the reflected glitter of firelight on a tooth his grimace had absent-mindedly left exposed. Beyond him, on the edge of the light, Cora and Linda were revealed sitting together, their legs stretched out long before them, warming, their faces in darkness, sexless and solemn, as if attentive to the sensations of the revolution of the earth beneath them. Godfrey was asleep, his head pillowed on Margaret’s thigh, his body suddenly wrenched by a dream sob, and a heavy succeeding sigh.
It was strange, after these fragmentary illuminations, to stumble through the unseen sand and grass, with our blankets and belongings, to the boats on the shore of the pond. Margaret and five children took the rowboat; I nominated Jimmy to come with me in the kayak. The night was starless. The pond, between the retreating campfire and the slowly nearing lights of our neighbors’ houses, was black. I could scarcely see his silhouette as it struggled for the rhythm of the stroke: left, a little turn with the wrists, right, the little turn reversed, left. Our paddles occasionally clashed, or snagged on the weeds that clog this pond. But the kayak sits lightly, and soon we putthe confused conversation of the rowers, and their wildly careening flashlight beam, behind. Silence widened around us. Steering the rudder with the foot pedals, I let Jimmy paddle alone, and stared upward until I had produced, in the hazed sky overhead, a single, unsteady star. It winked out. I returned to paddling and received an astonishing impression of phosphorescence: every stroke, right and left, called into visibility a rich arc of sparks, animalcula hailing our passage with bright shouts. The pond was more populous than China. My son and I were afloat on a firmament warmer than the heavens.
“Hey, Dad.”
His voice broke the silence carefully; my benevolence engulfed him, my fellow-wanderer, my leader, my gentle, secretive future. “What, Jimmy?”
“I think we’re about to hit something.”
We stopped paddling, and a mass, gray etched on gray, higher than a man, glided swiftly toward us and struck the prow of the kayak. With this bump, and my awakening laugh, the day of the dying rabbit ended. Exulting in homogenous glory, I had steered us into the bank. We pushed off, and by the lights of our neighbors’ houses navigated to the dock, and waited some minutes for the rowboat with its tangle of voices and picnic equipment to arrive. The days since have been merely happy days. This day was singular in its, let’s say,
tone
—its silver-bromide clarity. Between the cat’s generous intentions and my son’s lovingly calm warning, the dying rabbit sank like film in the developing pan, and preserved us all.
The Deacon
H E PASSES THE PLATE , and counts the money afterward—a large and dogged-looking man, wearing metal-framed glasses that seem tight across his face and that bite into the flesh around his eyes. He wears for Sunday morning a clean white shirt, but a glance downward, as you lay on your thin envelope and pass the golden plate back to him, discovers fallen socks and scuffed shoes. And as he with his fellow-deacons strides forward toward the
Jennifer Rivard Yarrington
Delilah Hunt, Erin O'Riordan, Pepper Anthony, Ashlynn Monroe, Melissa Hosack, Angelina Rain