long as they donât get him out of anything!â
She moved across, ostensibly to check that everything was all right, in reality to rescue Harry.
âLibby, this is heaven.â Phillip Newcombe was at her elbow.
âReally? Which particular bit?â
âAll of it.â Phillip waved an expansive arm. âThe theatre, the rooms here, the food ⦠Couldnât ask for more, could we?â
âWell, letâs hope the run of bad luck didnât follow you down here,â said Libby.
âRun of â¦?â Phillipâs dark brows drew together. âOh, you mean all those nasty little tricks.â He shrugged. âI bet it was someone who didnât get into the company and was jealous. Donât you? And theyâd still be in London, wouldnât they.â
âI suppose thatâs possible,â said Libby, wondering if it was. âWasnât the Kabuki curtain stunt good?â
âOh, is that what it was? Fabulous. Canât wait to see it in the actual piece, although I wonât, I suppose. Only from the back.â
âSomeone will film it, though, surely?â said Libby.
âOh, I expect so, even if itâs only for Max to make us sit through it and point out where we went wrong.â
He is waspish, thought Libby, and went to ask Max if Phillipâs theory was possible.
Max was thoughtful. âHe could be right. We did hold auditions when we realised we didnât have quite enough people in the company to put this on, and there were several who were disappointed. But not to the extent of sabotaging the production.â
âNo, I thought it was a bit unlikely. And whoever it was had to know all about the rehearsal arrangements and the lockers. An auditionee wouldnât know.â
âUnless they were close to a company member,â said Max. âHave you talked to any of the others yet?â
Libby was taken aback. âGive me a chance! Iâve got to get to know them a bit better first. Tell me, whoâs your Chattox? Iâve met Demdike.â
âTom Matthews. Heâs over there.â Max nodded towards a group of dancers clustered round the table where Libby and Hetty had set up the coffee pots.
âWhich one? Iâve met Dan â is it? The Roger Nowell.â
âTalking to Dan now,â said Max. âThatâs Tom.â
Libby eyed the tall, well-muscled young man appreciatively. âVery nice.â
Max smiled at her. âHe is, isnât he? And tough as old boots.â
âYes, you said he wasnât fazed by the cockerel.â
âI think maybe you should go and check the coffee pots,â said Max with a wink. âThey may need refilling.â
Libby grinned at him and wandered over to the table.
âHello â Libby, isnât it?â said Dan Washburn.
âThatâs me,â said Libby. âJust checking the coffee pots.â
âI think thereâs still plenty,â said Tom Matthews, and stuck out a hand. âIâm Tom, by the way.â
âAh, yes â the Chattox.â Libby shook his hand. âAnd are you all OK â your rooms are all right?â
âItâs great,â said Dan. âSuch a lovely set-up. And this food is wonderful.â
âMexican street food, apparently,â said Libby. âHarry over there has a Mexican restaurant in the village.â
âSo weâve been told,â said Tom. âWith a special discount for us if we eat there.â
âIndeed.â Libby smiled brightly. âWeâre all family, you see.â
âYou are?â Tom looked at Harry and back at Libby.
âWell, extended family. My partner Ben owns the Manor and the theatre, which he designed, being an architect, with his mum, Hetty, whoâs over there talking to Peter, who is doing your FX. Peter is her nephew and Benâs cousin, and is married to Harry.â
The group of men
Tess Monaghan 05 - The Sugar House (v5)