Multitudes

Read Multitudes for Free Online Page B

Book: Read Multitudes for Free Online
Authors: Margaret Christakos
Tags: General, Women Authors, Poetry, Canadian
21:42 
    wordinary
    January 25, 2013 at 15:48 
    o see can you say: say yes say yes sey yas sey yas. know no
    know no know now kno now. no yes say now. sey now yas kno.
    repeat.
    January 27, 2013 at 13:10
    syllabia
    January 27, 2013 at 13:38 
    vocaholic
    January 27, 2013 at 13:40 
    fact fect fict foct fuct
    January 27, 2013 at 13:42 
    emopome is probably better, referencing ideopome, as well as
    being palindnilap.
    January 28, 2013 at 1:59 
    itkicking
    January 29, 2013 at 11:00

    utopia utopie utopii utopio utopiu
    uipotu oipotu iipotu eipotu aipotu
    – a brief solo from ‘utopiano’
    January 30, 2013 at 16:13 
    multitumultitumultitumultitudes
    January 31, 2013 at 14:47 
    so radically dishevelled – adjusting to caprice
    aa aacccdddd eeeeghiiiij – llllnoopr rs ssttuvy
    ec irpacotgn itsujdadell – evehsidyl la cidaros [berlant]
    February 1, 2013 at 2:01 
    bodydob ydobody
    bbbdddd ooooyyy
    ydobody bodydob
    February 1, 2013 at 2:05 
    doing, going. going, doing.
    going doing going.
    going doing doing going. how
    it's going. it's dewing.
    February 3, 2013 at 1:38 
    godogodogodogodogodogodogodogo. do.
    February 3, 2013 at 1:41 
    gooddogooddogooddogooddogooder.
    February 3, 2013 at 1:42 
    so not twitter. you read it and you read it again. you read it
    again and you are reading it. gains.
    February 7, 2013 at 1:43 
    tasty stati!!
    February 7, 2013 at 11:36 
    and you are reading it.
    aaa dde eeg iinnorr ty.
    tig nid aer erauoyd na.
    February 7, 2013 at 3:27 
    i took one sentence and threaded it through another and
    all i got was this lousy t-shirt
    February 7, 2013 at 22:11 

    mul ult lti tid idu dud ude des
    February 8, 2013 at 10:06 
    you dirgebag.
    February 8, 2013 at 10:09 
    reciprocal n expectant
    aaccceeeil n nopprrttx
    tnatcepxen l acorpicer
    February 13, 2013 at 18:43
    lo er
    February 14, 2013 at 14:54
    the ways a book contains all the thoughts that made it have
    covers on its recognitions allows my mind 2 incandesce its
    seams n ripple, dawg
    February 16, 2013 at 12:05 
    [spoiler alert] too soon it ends
    February 17, 2013 at 11:55
    hahha even if this distinction remains fragile and enigmatic,
    allow me to treat it as established, in order to save time
    February 17, 2013 at 16:14 
    o yes i play the homophone, n u?
    February 18, 2013 at 10:05 
    holler of mirrors …  
    February 19, 2013 at 14:19 
    H
    February 23, 2013 at 15:45 
    writing makes u burn ur frozen pizza.
    February 25, 2013 at 16:22 
    does anyone else think 7 hours of continuous writing time is
    a fucking miracle likely never to bear its own repetition …  
    February 27, 2013 at 11:42
    in a way facebook is striking
    me more n more as flipper
    side of found poetics; everyone upstalling
    their texts 4 grabz. a huge
    conceptual shift 4 individuals 2 loose
    speech material 4 gleaning. once u
    have more than 200 ‘friends’ u
    have fully accepted the premise that
    u do not in any sense
    know whuz reading u or whatz
    being made of ur output. is
    different from publishing; tis a set
    of display play replay relations waggled
    in small parcels of language, entirely
    excessive n recessive n sort of
    flagrante. but my coffee's ready, so.
    February 27, 2013 at 21:31 
    thinks teenaged girls must have been the inspiration for the
    internet: they are the zenith of everybody talking and listening
    simultaneously.
    March 2, 2013 at 13:41 
    do u ment
    March 10, 2013 at 11:15
    girls gilrs slrig
    gggii illlr rrsss
    girls srlig slrig
    March 18, 2013 at 10:09 
    communal, communicable
    March 25, 2013 at 9:55
    f acebook is a little timelapse fast lap from the poetics of direct
    confessional lyric address to metalyric practices of indirect
    documentary, constraint and conceptualism, due in large part
    to a negotiation with the audience/public/commons as
    both known and anonymous
    March 28, 2013 at 9:36
    let's pretend we're anonymous
    adee ee'elmnn noop rrsst'tuwy
    suom ynonaer e'wdn eterpst'el
    March 28, 2013 at 9:40

    anonymous unanimous
    enunamuys

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