with the light of a full white moon.
âYes, I like it.â
There was other artâall of places, wild, lonely places struck by moonlight, he noted. There were no people in any of the paintings, and no photographs at all.
âGot a thing for the moon,â he commented, then glanced at her. She studied him, he thought, as the dog did, speculatively. âThe art, the name of your shop.â
âYes, I have a thing for the moon.â
âMaybe we can take a walk out to the cliffs later. Take a look at it over the water. I donât know what phase itâs in, butââ
âWaxing, nearly full.â
âCool. You know your moons.â
âIntimately.â
âOkay if Amico has the bone?â
âOffer it.â
Gabe pulled it out of the bag, held it out. âHere you go, boy.â
But Amico sat, making no move. Then Simone murmured in Italian, and the dog leaned forward, closed his teeth over the bone, wagged his tail.
âThat couldâve been a raw steak, I imagine,â Gabe commented, âwith the same result. Thatâs some dog.â
âHeâs a treasure. Iâm in the kitchen. Weâre having spaghetti.â
âSmells great. And it shows how clever I was to pick a couple of Italian wines.â He patted the bag he carried as they stepped into the kitchen. âThis Chiantiâs supposed to be fairly amazing. Should I open it?â
âAll right.â She handed him a corkscrew. âDinnerâs going to be a little while yet.â
âNo problem.â He pulled off his jacket, then opened the wine. He set it and the corkscrew aside. âSimone. This is going to sound strange.â
âIâm rarely surprised by strange.â
âI was thinking today, trying to figure why Iâm having such a strong reaction to you. And I canât. So I thought, maybe itâs just sexâand whatâs wrong with that? But itâs not. Not when Iâm standing here looking at you, it isnât.â
She got down two glasses. âWhat is it then?â
âI donât know. But itâs the kind of thing where I want to know all sorts of things about you. Where I want to sit down somewhere and talk to you for hours, which is weird considering weâve only had two conversations before. Itâs the kind of thing where I think about how your voice sounds, and the way you move. And that sounds lame. Itâs just true.â
âBut you donât know all sorts of things about me, do you?â
âNext to nothing. So tell me everything.â
She poured the wine, then got out a vase for the flowers. âI was born in Saint Louis,â she began as she filled the vase with water. âAn only child. I lived there until I was twelveâdead normal childhoodâuntil I was twelve. My parents were killed in a car accident. I got out of it with a broken arm and a concussion.â
âThatâs rough.â
There was sympathy in his voice, but not the maudlin, pitying sort. Just as there was comfort, but not intrusion, in the light touch of his hand to her arm.
âVery. I moved to Saint Paul to live with my aunt and uncle. They were very strict and not all that thrilled to have a child thrust on them, but too worried about image to shirk their duty. Which is all I was to them. They had a daughter close to my age, the detestable and perfect Patty. We were never even close to being friends. She, and my aunt and uncle, made certain I remembered who the daughter was, who the displaced orphan was. They were never abusive, and they were never loving.â
âIâve always thought the withholding of love is a kind of abuse.â
She looked over at him as she began to arrange the lilies in the vase. âYou have a kind heart. Not everyone does. I was provided for, and I did what I was told, for six years, because the alternative was foster care.â
âBetter the devil you
Heidi Hunter, Bad Boy Team