stared up at the ceiling.
âIâll need to look into your eyes,â he said.
âThen look.â
She kept her gaze fixed firmly upward. He snorted in either amusement or frustration. Then, suddenly, he was the only thing she could see: his body covering hers but not touching it, his legs spread wide, his torso held aloft on bent elbows.
âWhat am I supposed to do?â she asked.
âNothing. Just stare at me. Stare the life right out of me.â
The air was gray dust and her fingers were driftwood. She had been taken here against her will, just like the
Styela
, and she would end up like them, too: prodded and observed and put to death. Her earlier instincts had been right. Resist, retreat, run.
But then she met his eyes and a different set of concerns surged forth. Just a few hours earlier, she had been so proud of her portrait of him. Now she felt differently. It wasnât enough to represent something faithfully. The important thing was the order in which it all happened. Was she, in other words, taking something whole and breaking it apart? Or was she building up disparate elements until they formed a known shape? Her father always judged his success on the product, on the amount and quality of what came out. But what if it was actually about what went in?
Youâre getting somewhere
, she told herself.
Youâre finally getting somewhere.
But then all she could think about was her left shoulder. He was stroking it with his thumb, tracing the seam in her shirt.
âExplain it to me,â she said. âExplain it like Iâm the dumbest person in the world.â
The thumb stopped. But then it resumed its tracing.
âYouâre not dumb at all. Iâll bet you did marvelously in school.â
âIâve never gone to school. Just to work.â
âWhich I suppose explains the Surrey collar,â he said, popping the fabric. âVery debonair.â
âMy father and I share a tailor.â
âOf course you do.â
âPlease. Explain it.â
He sighed. There was reticence in his expression and she knew why. She had never tried to justify her drawings to anyone because she knew it would sound complex, and complexity could easily be mistaken for weakness.
âLike I said before,â he began carefully, âI collect specimens from the tide pools. Then I preserve them and sell them to universities. But I also do other things.â
âThe essay.â
âYes. And other essays much like it, none of which I can ever seem to get quite right. I like trying, though. I like to think about poets and composers and artists and their access to the divine. Thereâs the shark oil situation, which I believe in fervently. Iâm trying to get the real story from both the fisheries and the population scientists to determine just how many sardines are left in the bay and whether or not we should keep on canning them. In my more optimistic moments, I feel like Iâm just one idea away from figuring out a whole new method of categorizing each and every living thing. And someday Iâm hoping it will all come together in a clear and beautiful way. In a way that even the dumbest person in the world will understand.â
From somewhere on the street outside, the sound of glass breaking, women howling in laughter. She had always thought her father was ambitious, but his goals were nothing comparedwith this. The biologistâs fingers moved from her collar to the side of her face. She felt very ugly. Very young.
âPlease,â she said. âDonât.â
âOh,â he said, pushing himself back onto his heels. âI thought you wereââ
âIâm not,â she replied, the words slightly emptier than she intended.
âIâm so sorry. I donât usually try that sort of thing unless Iâm quite certain.â
âCertain of what?â
At this, his eyes went blank. Then he stood from the bed and