Mein Kampf - the Official 1939 Edition
an enemy of that State whose rulers exercised such a disastrous influence on the destinies of the German nation? Finally, how could one remain the faithful subject of the House of Habsburg, whose past history and present conduct proved it to be ready ever and always to betray the interests of the German people for the sake of paltry personal interests? Did not we as youngsters fully realize that the House of Habsburg did not, and could not, have any love for us Germans?
    What history taught us about the policy followed by the House of Habsburg was corroborated by our own everyday experiences. In the north and in the south the poison of foreign races was eating into the body of our people, and even Vienna was steadily becoming more and more a non-German city. The ‘Imperial House’ favoured the Czechs on every possible occasion. Indeed it was the hand of the goddess of eternal justice and inexorable retribution that caused the most deadly enemy of Germanism in Austria, the Archduke Franz Ferdinand, to fall by the very bullets which he himself had helped to cast. Working from above downwards, he was the chief patron of the movement to make Austria a Slav State.
    The burdens laid on the shoulders of the German people were enormous and the sacrifices of money and blood which they had to make were incredibly heavy. Yet anybody who was not quite blind must have seen that it was all in vain. What affected us most bitterly was the consciousness of the fact that this whole system was morally shielded by the alliance with Germany, whereby the slow extirpation of Germanism in the old Austrian Monarchy seemed in some way to be more or less sanctioned by Germany herself. Habsburg hypocrisy, which endeavoured outwardly to make the people believe that Austria still remained a German State, increased the feeling of hatred against the Imperial House and at the same time aroused a spirit of rebellion and contempt.
    But in the German Empire itself those who were then its rulers saw nothing of what all this meant. As if struck blind, they stood beside a corpse and in the very symptoms of decomposition they believed that they recognized the signs of a renewed vitality. In that unhappy alliance between the young German Empire and the illusory Austrian State lay the germ of the World War and also of the final collapse.
    In the subsequent pages of this book I shall go to the root of the problem. Suffice it to say here that in the very early years of my youth I came to certain conclusions which I have never abandoned. Indeed I became more profoundly convinced of them as the years passed. They were: That the dissolution of the Austrian Empire is a preliminary condition for the defence of Germany; further, that national feeling is by no means identical with dynastic patriotism; finally, and above all, that the House of Habsburg was destined to bring misfortune to the German nation.
    As a logical consequence of these convictions, there arose in me a feeling of intense love for my German-Austrian home and a profound hatred for the Austrian State.
    That kind of historical thinking which was developed in me through my study of history at school never left me afterwards. World history became more and more an inexhaustible source for the understanding of contemporary historical events, which means politics. Therefore I will not "learn" politics but let politics teach me.
    A precocious revolutionary in politics I was no less a precocious revolutionary in art. At that time the provincial capital of Upper Austria had a theatre which, relatively speaking, was not bad. Almost everything was played there. When I was twelve years old I saw William Tell performed. That was my first experience of the theatre. Some months later I attended a performance of Lohengrin, the first opera I had ever heard. I was fascinated at once. My youthful enthusiasm for the Bayreuth Master knew no limits. Again and again I was drawn to hear his operas; and to-day I consider it a great

Similar Books

Invisible Man

Ralph Ellison

The Italians

John Hooper

Almost to Die For

Tate Hallaway

VEILED MIRROR

Frankie Robertson

The Life

Martina Cole

The Miner's Lady

Tracie Peterson

The Mysterious Mannequin

Carolyn G. Keene

Guiding the Fall

Christy Hayes