of the front window stood a mahogany chest of drawers with very stiff drawers, to the right of it a small ottoman.
The wallpaper was white with bluish roses. Sometimes, in semidelirium, one would fashion people’s profiles out of these roses or wander up and down with one’s eyes, trying not to touch a single flower or a single leaf on the way, finding gaps in the pattern, wriggling through, doubling back, landing in a blind alley and starting one’s journey through the luminous maze all over again. To the right of the bed between the icon case and the side window hung two pictures—a tortoiseshell cat lapping milk from a saucer, and a starling made of real starling’s feathers appliquéd above a drawing of a nesting box. Alongside, by the window frame, was fixed an oil lamp which had a knack of emitting a black tongue of soot. There were other pictures too: above the chest of drawers a lithograph of a barechested Neapolitan boy, and over the washbasin a pencil drawing of a horse’s head with distended nostrils swimming in water.
All day long the bed kept gliding into the hot windy sky and when one sat up one saw the tops of the lime trees, sun-gilt from above, telephone wires on which swifts perched, and part of the wooden canopy over the red sandy drive where it led up to the front porch. Wonderful sounds came from outside—twittering, distant barking, a creaking pump.
One lay and floated and thought how one would soon be getting up: flies played in a pool of sun; and from Mother’s lap by one’s bedside a ball of colored silk, as though alive, jumped down and gently rolled across the amber-yellow parquet.
In this room, where Ganin had recuperated at sixteen, was conceived that happiness, the image of that girl he was to meet in real life a month later. Everything contributed to thecreation of that image—the soft-tinted prints on the walls, the twittering outside the window, the brown face of Christ in the icon case, and even the washstand’s diminutive fountain. The burgeoning image gathered and absorbed all the sunny charm of that room, and without it, of course, it would never have grown. It was after all simply a boyish premonition, a delicious mist, but Ganin now felt that never had such a premonition been so completely fulfilled. All Tuesday he wandered from square to square, from café to café, his memories constantly flying ahead like the April clouds across the tender Berlin sky. People sitting in the cafés supposed that this man staring so fixedly ahead must have some deep grief; on the street he carelessly bumped into people and once a fast car braked hard and swore, having nearly hit him.
He was a god, re-creating a world that had perished. Gradually he resurrected that world, to please the girl whom he did not dare to place in it until it was absolutely complete. But her image, her presence, the shadow of her memory demanded that in the end he must resurrect her too—and he intentionally thrust away her image, as he wanted to approach it gradually, step by step, just as he had done nine years before. Afraid of making a mistake, of losing his way in the bright labyrinth of memory, he re-created his past life watchfully, fondly, occasionally turning back for some forgotten piece of trivia, but never running ahead too fast. Wandering around Berlin on that Tuesday in spring, he recuperated all over again, felt what it was like to get out of bed for the first time, felt the weakness in his legs. He looked at himself in every mirror. His clothes seemed unusually clean, singularly ample, and slightly unfamiliar. He walked slowly down the wide avenue leading from the garden terrace into the depths of the park. Here and there the earth, empurpled by the shadows of leaves, broke into molehills that looked like heaps of black worms. He had put on white trousers and lilac socks,dreaming of meeting someone, not yet knowing who it would be.
Reaching the end of the avenue, where a white bench gleamed amid