smiled the same way Ava had. âPeople call it The Curse, but itâs not really because it means that youâll be able to have children now.â
âBut I donât
want
to,â I said. âNot
now
.â
âYou donât have to.â She gave me a short lecture in her embarrassing Wise Woman voice about being careful what I did with boys that left me none the wiser. I was fairly sure I didnât like being a woman. I felt dirty. The string chafed the skin of my stomach, the pad felt awkward. I was sure that everyone could see it bulging inside my shorts. Iâd never kept anything from Orlando before, but I felt instinctively that this was something I wouldnât share with him.
Perhaps it was because I was now a woman that Fiona decided I was to take piano lessons. Perhaps she thought I was becoming too much of a tomboy, or perhaps she simply wanted to help the lonely young refugee who was living up the road in Mrs Sheffieldâs house. Grown-ups didnât explain very much to us in those days but I vaguely understood that Mr Elias had escaped from Germany before the war.
âI donât want to waste the holidays on beastly music lessons.â I kicked at the big Chesterfield sofa in our shabby drawing-room. Orlando had been learning the piano for years, along with several other instruments, but Iâd never felt any desire to do so too.
âSome of your friends are already going to him,â Fiona said. âMary Stephens. Rosemary Geoffreye. And that strange child from the North End â Nicola Stone.â
âNicola?â I brightened. If Nicola went to him, it put a different complexion on things. âShe never said anything about it.â
âWell, she began in the Easter holidays, and goes once a week. Sheâll be taking lessons at school from next term and her mother wants her to get a head start.â
So it was with reasonable grace that I found myself on the stone doorstep of Number Seventeen, five houses down from Glenfield, lifting the green-tarnished brass knocker shaped like a bullâs head. When Mrs Sheffield opened the door, she let loose the smell of mould and damp stone and lack of upkeep, which was familiar from my own home.
âGood afternoon, Alice,â she said in her high-pitched, well-bred voice.
âItâs for piano lessons,â I said quickly, afraid that she might otherwise think this was a social call.
âOf course. Your mother said you would be coming.â From upstairs, we could hear something sad and beautiful being played on the piano. Mrs Sheffieldâs face lifted to the sound like a sunflower. She sighed. âHeâs such a talented boy. I wish my husband could have heard . . .â
A boy? I found this strange. None of the boys I knew could have taught someone to play the piano, not even Orlando, and he was already preparing to take Grade 8. âShould I go up?â I wondered.
âOf course, dear. Iâm sure Mr Elias is expecting you. First door on the right. Just knock.â
I climbed the curving staircase while the music swelled. Another brass knocker, polished this time, in the shape of a trumpet-blowing angel, was attached to the middle panel of the door, and I lifted it, let it fall again with a small thud.
The door opened, and Mr Elias stood there, staring gravely at me for a moment.
âYou are Miss Alice Beecham?â He had a foreign accent and wore a pullover with holes in the elbows. His teeth were very white.
âYes.â
âThen please to come in.â He stood aside and motioned me in with a bow.
Immediately I felt lifted out of my usual self. A bow! This was not how I was normally treated. I floated past him and stared around me. The cluttered room smelled of coffee and wool and aniseed; it was an alien smell, and curiously exciting. After the austerities of my own home, it seemed exotic beyond compare. Heavy velvet curtains hung from floor to ceiling
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