date she intended to have with him. No, that certainly could not be allowed to happen. She’d have Edith hanging out of the window, gawping at him and then her mother insisting that he come in and listen to Edith’s caterwauling, she was that proud of her. No, finding a room of her own somewhere a bit more respectable would suit the image she decided she needed to project if she was to win her bet with Lizzie.
First thing tomorrow she’d buy herself a paper and start looking for somewhere. With a room of her own, she could do what she wanted. There’d be no parents wanting to know where she was going and who she was seeing; no brother poking his nose in and warning her about not egging lads on, and knowing her place; no irritating sister. In her mind’s eye Dulcie pictured herself dressed up to the nines, and going off to the Hammersmith Palais dancing with handsome David, the director’s stuck-up daughter’s beau, her clothes immaculately washed and ironed and not salvaged from her sister’s disrespectful treatment of them.
* * *
Gratefully Tilly picked up from her desk the ‘Rooms to Let’ notices she had been given permission to type out – and not just to type, but also to place on the notice board in the corridor outside the Lady Almoner’s offices.
The office Tilly shared with Clara was in reality more of a long narrow corridor than a proper room. Its one small window overlooked an inner yard where waste bins were stored. Panelled in dark wood from floor to ceiling, the room was dark and smelled musty from the contents of the files stored in the ancient filing cabinets that lined both the long walls. To reach Tilly and Clara’s desk, at which they sat on opposite sides to one another with their heavy typewriters, it was necessary to squeeze between the filing cabinets and the desk itself. Tilly’s typewriter was old and very well used, its ‘d’ key inclined to stick unless you knew just how much extra pressure to apply to it to make sure that it didn’t. Each girl had a set of drawers in which she kept her stationery: Official-looking notepaper with the Lady Almoner’s name and title printed on it, as well as Barts’ address for official letters, thin copy paper and plain white paper for typing up patient notes, memos and envelopes. Here too were kept their very precious pieces of carbon paper, which had to be used until one could barely read the copy they made. Fresh supplies had to be pleaded for from Mr Davies, who was in charge of the stationery cupboard, and who, so Clara claimed, counted out every single sheet of paper he gave them.
The doors at either end of the office were never closed. There was normally a trail of people coming in and out: junior clerks carrying or wanting files for their superiors, senior clerks bringing in handwritten letters and notes that had to be typed immediately, or sometimes requesting that Tilly or Clara took down their dictation in shorthand. Tilly and Clara were certainly kept very busy. Once a week Miss Evans, the Lady Almoner’s personal secretary, would march into their office, her greying hair swept back into its tight bun, the jacket of her tweed suit on over her blouse, no matter how warm it was, her eyes, behind her rimless glasses, seeming to notice immediately a typing mistake or a file that was in the wrong place, as she went through the week’s diary with the two girls.
Now, grabbing some drawing pins, Tilly headed for the corridor outside the main office where the clerical staff worked, narrowly avoiding bumping into a senior nurse, and dropping her typed notice as she did so.
Both Tilly and the nurse, a tall slender girl with glorious dark copper-coloured hair drawn back under her cap, lovely cream-toned skin and eyes so intensely blue they were almost violet, came to a halt.
‘I’m so sorry,’ Tilly said.
‘It was my fault.’ The other girl smiled, both of them bending down to retrieve Tilly’s notice.
The nurse reached it first, a
Norah Wilson, Dianna Love, Sandy Blair, Misty Evans, Adrienne Giordano, Mary Buckham, Alexa Grace, Tonya Kappes, Nancy Naigle, Micah Caida