possible, but I donât think so.â
I pointed to the spot near the back of her right ear. âHer hair back there ⦠looks like she may have been bleeding.â Brooks shone the light on that spot but didnât move her. He grunted, then nodded.
âWeâll move her once Zucca gets what he needs.â With that, he closed his kit and left the closet.
Lieutenant Rodriguez clicked his teeth, then said, âLou?â
âAfter Zucca does his thing,â I said, eyes still on the victim, âI wanna look around her again.â
Arturo Zucca was a fat-thin Italian-American, one of those guys that looked chubby but wasnâtâsix months working out on an elliptical machine and eating bags of spinach would change everything. Zucca had the eyes of an eagle and the mind of Louis Pasteur: two advanced degrees in biology and chemistry and a grand master in the USPSA shooting competition. His love of guns and science made him perfect for a job in which an ordinary person strolls into an unoccupied condo and sees no blood, no signs of struggle, nothing. That person will scan the two bedrooms, the bathrooms, the kitchen, and still see nothing except empty holes for electrical sockets and a layer of dust and grit on the countertops. That ordinary person will return to the lobby, ruffle her hair, and say, âOther than the dead girl, the flies, and the cell phone, I didnât see anything.â But Zucca saw everything because there was always something there. Every time you left a place, you left behind a little piece of you.
The condo was quiet, too quiet, even as seven people worked the scene. I heard my pulse racing and my shallow breathing. I heard Lieutenant Rodriguez and a forensic tech whispering. I heard cameras pop and click. And then, there were the flies â¦
Too much quiet. Not enough noise. And so, I passed forensic techs dusting for prints on the front door and tiptoed to the hallway to clear my mind. I glanced out the narrow window at the north end of the hallwayâthe construction trailer, a medical building, and a dirt lot. I swiveled away from the window to stare down the hallway. At the south end, an exit sign hung above an emergency staircase.
I toggled the switch on my radio and called Colin. âPull a uniform and search the emergency stairs off the second floor. The bad guy couldâve brought her up that way.â
Zucca poked his head out of unit 1B. âAnytime, Lou.â
The videographer, a hard-built woman with chopped-off gray hair, was recording a criminalist peering into the kitchenâs drainage pipe. Another criminalist, this one in the second bedroom, inched in a slow clockwise spiral, searching for a strand of hair that shouldnât have been there. Countless yellow evidence tents had been dropped in the living room, near the threshold of the master bedroom, and at the patio window.
âFound some dust motes from the San Gabriel Valley?â I asked Zucca.
He surveyed the room. âSomething like that.â
âI didnât see any blood,â I said, âbut, of course, that doesnât mean that there isnât any.â
âOnce we move the girl,â he said, âIâll use luminol.â Which glowed blue once it acted with the iron found in blood.
âI didnât see any drag marks, either,â I noted.
âRight. He mustâve carried her here.â
âAnd youâll use ninhydrin to lift prints off the closet and bedroom walls?â I asked. âHe could have placed his hands there to balance himself while hanging her.â
âYep,â Zucca said. âAnd Iâm assuming youâll want 3D scans, inside and out.â
Pure white light burst in the world beyond the balcony.
My hand flew to my chest and I gave a small yelp. âDid the Russians just nuke us?â
âSomeone finally switched on the halogens,â Zucca said with a chuckle.
âIâll