to appear, lights and darks, the curve of a woman's shoulder, arm touching the lower part of her face. He had not seen her clearly through the viewfinder; only a glimpse in that part of a moment as the flash exploded. He didn't know what she looked like and was intrigued now, the way he had been curious about her in the car last night.
LaBrava lifted the print from the solution, dipped it into the second tray, the stop bath, drew it through and placed it face up in the third tray, in the clear liquid of the fix solution. He leaned his arms on the narrow edge of the sink, low and uncomfortable, hunched over to study the face, the eyes staring at him through water and amber darkness.
Someone he had seen before.
But he wasn't sure. It might be the look, an expression he recognized. He couldn't see her features clearly.
He lifted the print from the tray, staring as water ran from it, dripped from it, became single drops in the silence, and he was aware of a curious feeling: wanting to turn on the light and see the woman's face, but hesitant, cautious, on the verge of discovery and wanting the suspense of these moments to last a while longer. Then thought of a way.
He set the eight-by-ten aside and printed the second and third exposures of the woman's arm and face against the mattress, this time without the softening effect of the yellow filter, and ran them through the baths. When there were three images, three pairs of eyes set in pale white staring at him from the counter top, he walked to the door, turned on the light and walked back...
He stopped and could do nothing but stare at the familiar gaze, knowing why darkness, before, had given him a feeling of recognition.
Because he had seen her only in the dark. Had watched her, how many times, in the black and white dark of movie theaters, up on the screen.
Jean Shaw.
Dark hair parted in the middle, the awareness in her eyes even half awake. Why hadn't he thought of her in the car yesterday? He had seen her for a moment in his mind, without a name, and by then they were looking for Northeast Fourth Street.
She had changed. Well, yeah, in twenty-five years people changed, everybody changed. She hadn't changed that much though. The hair maybe, the way it was styled. But she was pale in black and white as she had been on the screen and the eyes--he would never forget her eyes.
Jean Shaw. Upstairs, right now.
The movie star he had fallen in love with the first time he had ever fallen in love in his life, when he was twelve years old.
Chapter 5
CUNNO REY SAID TO NOBLES, "Let me ask you something, okay? You ever see a snake eat a bat? Here is a wing sticking out of the snake's mouth, the wing, it's still moving, this little movement like is trying to fly. The snake, he don't care. You know why? Because the other end of the bat is down in the snake turning to juice, man. Sure, the snake, he don't even have to move, just lay there and keep swallowing as long as it takes. He don't even have to chew," Cundo Rey said, watching Richard Nobles eating his Big Mac and poking fries in his mouth a few at a time, dipped in ketchup. "Mmmmmmm, nice juicy bat."
They were in the McDonald's on Federal Highway, Delray Beach, the place crowded with local people having lunch. Nobles had on his two-tone-blue Star Security uniform, but not the hat. Here he was from a family whose men spent their lives outdoors and wore their, hats in the house and he hated 'em. No, he liked to leave his golden hair free and run his fingers through it from time to time. Give it a casual look.
He said, mouth full of hamburger, "I ate a snake. I've ate a few different kinds. You flour 'em, deep-fry 'em in some Crisco so the meat crackles, they're pretty good. But I never ate a bat. Time you skin it what would you have?"
There--if the Cuban was trying to make him sick he was wasting his time. If the Cuban had something else in mind and was leading up to it, Nobles did not see it yet.
Ah, but then the Cuban