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attend. I was not, it seemed, to leave the Night Court without seeing it full, in all its splendour.
    Every House has its own masque at some point throughout the year, and each, I am told, is a splendid affair with a worthy history-but the Midwinter Masque is something different. Its roots are older than the coming of Elua, for it celebrates the passing of the old year and the return of the sun. Blessed Elua was so charmed, it is said, by the peasants' simple ritual that he embraced it as well, as a rite that honored his mother Earth and her solar consort.
    It has always been the role of Cereus House, the First, to host the Midwinter Masque. On the Longest Night, the doors to all the other Houses are closed, their walls emptied, for everyone comes to Cereus House. No patrons are welcomed save those who bear the token of Naa-mah, a gift given only at a Dowayne's discretion. Even now, when the night of the Thirteen Houses wanes under the light of profit, the tokens remain another matter, held only by those who lay claim to royal lineage and are deemed worthy of Naamah's embrace.
    Days before the event, the house was shrouded in mystery and bustle. Mystery, for no one knew who would be chosen from among our ranks to play the key roles in the great masque; the Winter Queen was chosen, always, from among the adepts of Cereus House. The Sun Prince, of course, might be selected from any of the Thirteen Houses, and the competition was fierce. In Night's Doorstep, Hyacinthe told me, they lay odds on the choosing. It is said that the Sun Prince brings a year's luck to his House.
    I know why, now; Delaunay told me. There is an old, old story, older than Elua, about the Sun Prince wedding the Winter Queen to claim lordship of the land. Such stories, he said, are always the oldest, for they are born of our first ancestors' dreams and the eternal turning of the seasons. Whether or not this is true, I do not know; but I know of a surety that Anafiel Delaunay was not the only one who knew the story that night.
    But this was yet to come, and in the preceding days, the mystery-shrouded confines of Cereus House abounded with activity. The doors to the Great Hall were thrown open, and it was given such a cleaning as was seldom seen. The walls were scrubbed, the colonnades polished, the floor waxed and buffed until it shined like mahogany satin. Every speck of ash was emptied from the massive fireplace, and rickety scaffolding was erected so teams of agile painters' apprentices could cleanse a year's accumulation of soot from the frescoed ceiling. Slowly, the Exploits of Naamah brightened, colors emerging fresh and new from beneath the accretion of grime.
    When the empty and pristine hall was judged ready, it was decorated with fresh white candles, all unlit and smelling of sweet beeswax, and great boughs of evergreen. And then the long tables were covered with brilliant white cloths to receive the bountiful feast that was being prepared in the kitchens. Indeed, I was manifestly unwelcome in all my usual haunts, as everyone from the concierge on down to the lowest scullery maid was busy making ready for the Midwinter Masque. Say what you will of the Night Court, but no one entered its service without pride. Even the stables were off-limits, as the Master of Horse supervised through gritted teeth a thorough scouring of the entire premises. If Ganelon de la Courcel himself, King of Terre d'Ange, were to attend the Midwinter Masque (and such a thing had happened in other times) he would find his horses better tended than in the royal stables.
    Of course, I had witnessed such preparations before, but this year it was different, since I was to attend. Of my erstwhile companions, only the frail beauty, Ellyn, would be in attendance, for Juliette's marque had been bought by Dahlia House, as all had guessed, and the merry Calantia had gone on to foster at Orchis when her tenth birthday had arrived. Ellyn's pretty half-brother Etienne was too young, and