public for as long as possible-something
about which only the killer might know.
“The sergeant,” Janet said, “the man at the desk in the station
house. He told me the cops fished a whip out of the river. He was
trying to calm me down, telling me he hoped it wasn't the
killer's.”
Mike put his hand on the doorknob and held Janet's chair as she
stood up.
“Be sure and look over Jimmy Dylan when you talk to him, Mr.
Chapman. He's not what he appears to be-just a charming barkeep,”
Janet said. “He knew all about Amber, and he did nothing to stop
it, nothing to help her. Jimmy knows that's what people paid Amber
to do.”
“What do you mean?”
"My sister's a dominatrix, Detective. She liked to hurt people-
took pleasure in it. I'll bet if that whip had anything to do with
Amber's murder, it belonged to her and not the killer.
FIVE
Amber Bristol's studio apartment was on the
third floor of a walkup building on East Ninety-first Street, near
the corner of Lexington. The superintendent, Vargas Candera, had
admitted us with a spare key that he said she had given him,
reluctantly, after a kitchen blaze in one of the other units had
forced the fire department to break down a door. He waited for us
in the hallway.
Janet sat downstairs in a patrol car with two officers while
Mike and I put on plastic gloves for a first look around.
“I'd say Amber was either a meticulous housekeeper or somebody
else made a clean sweep around here,” Mike said, adjusting the
dimmer to its brightest position.
The kitchenette was to the left of the entrance door and the
bathroom to its right. A curtain of black wooden beads separated
the foyer from the king-size canopy bed just beyond. Mike held the
swinging beads aside and I followed him in.
“Early American brothel. I guess you can take the girl out of
Idaho, but you can't take the ho out of Ida.”
The trim on the bedstead was a simple calico pattern that
matched the cushions on the two armchairs. A hooked rug in the same
pastel shades covered most of the floor. The walls were decorated
with paintings of horses and mountains in cheap wooden frames meant
to look rustic and folksy.
“No sheets?” I asked.
The quilt-a modern reproduction of a classic wedding ring
pattern-was folded neatly in the center of the bed, which had been
stripped even of its mattress pad.
“Maybe she was abducted on her way to the Laundromat. That's a
route you've probably never taken, Coop.”
“It's not only that it's been sanitized, Mike. This room is
completely sterile. There's nothing personal on any surface.”
“Remember, it was Amber's office. I'd hardly expect her to have
photos of Ma and Pa on display. No pictures from the prom, no old
boyfriends.”
“I was counting on a computerized version of a little black
book.”
“You're a little late.” Mike moved one of the bedside tables.
The lamp and window air conditioner were plugged into a surge bar
on the floor. So was a six-foot-long cable connector that fed the
empty cradle of a PDA.
I looked around for a telephone and answering machine. There was
a space on the small table, between the lamp and a decorative
candle, and the line that fed the jack also snaked along the rug,
attached to nothing.
“Somebody's taken stuff out of here. Anything that could connect
Amber to her business,” Mike said.
He was opening drawers. First, next to the bed, where I could
see that she kept her supply of condoms, and then her dresser.
Underwear, sweaters, and three drawers of negligees below that.
I pulled open the closet door. Slacks hung with skirts in a
variety of lengths, everything black except for the blue jeans.
Shoes were lined neatly on the floor-flats in front, backless pumps
with high heels behind them, and six pairs of leather boots. There
were a bunch of empty hangers and lots of large hooks affixed to
the back of the door.
“Nothing unusual?” Mike asked. “No sex toys? No other