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pull the files once we get Dolan's okay."
    "I'd appreciate that. Lorna's mother gave me some stuff, but she didn't have everything. Just let me know and I'll pop over to the station and take a look."
    "Sure thing. We can talk afterward."
    "Thanks, Cheney. You're a doll."
    "I know that," he said. "Just make sure you keep us informed. And play it straight. If you come up with something, we don't want it thrown out of court because you've tainted the evidence."
    "You underestimate me," I said. "Now that I'm working out of Lonnie Kingman's office, I'm an angel among women. I'm a paragon."
    "I believe you," he said. His smile was lingering, and his eyes held just a hint of speculation. I thought I'd probably said enough. I backed away and then turned, giving him a wave as I departed.
    Once outside, I drank in the quiet of the chill night air, picking up the faint scent of cigarette smoke trailing back at me from somewhere up ahead. I lifted my head and caught a glimpse of a man easing out of sight around a bend in the road, his footsteps growing faint. There are men who walk at night, shoulders hunched, heads bent in some solitary pursuit. I tend to think of them as harmless, but one never knows. I watched until I was certain he was gone. In the distance, low-lying heavy cloud cover had been pushed up the far side of the mountain and now spilled over the top.
    All the parking spots were filled. Vehicles gleamed in the harsh overhead illumination like a high-end used-car lot. My vintage VW looked distinctly out of place, a homely pale blue hump among the sleek, low-slung sports models. I unlocked the car door and slid onto the driver's seat, then paused for a moment, hands on the steering wheel, while I contemplated my next move. The single glass of white wine had done little to temper my wired state. I knew if I drove home, I'd just end up lying on my back, staring at the skylight above my bed. I fired up the ignition and then drove along the beach as far as State Street. I hung a right, heading north.
    I crossed the railroad tracks, jolting the radio to life. I didn't even realize I'd left the damn thing on. It seldom worked these days, but every now and then I could coax something out of it. Sometimes I'd bang on the dash with my fist, jarring forth news or a commercial. Other times, for no apparent reason, I'd pick up a baffling fragment of the weather. The problem was probably a loose wire or faulty fuse, which is just a guess on my part. I don't even know if radios have fuses these days. At the moment, the reception was as clear as could be.
    I pressed a button, neatly switching from AM to FM. I turned the dial by degrees, sliding past station after station until I caught the strains of a tenor sax. I had no idea who it was, only that the mournful mix of horns was perfect for this hour of the night. The cut came to an end, and a man's voice eased into the space. "That was 'Gato' Barbieri on sax, a tune called 'Picture in the Rain' from the movie sound track Last Tango in Paris. Music was composed by 'Gato' Barbieri, recorded back in 1972. And this is Hector Moreno, here on K-SPELL, bringing you the magic of jazz on this very early Monday morning."
    His voice was handsome, resonant, and well modulated, with an easygoing confidence. This was a man who made his living staying up all night, talking about artists and labels, playing CDs for insomniacs. I pictured a guy in his mid-thirties, dark, substantial, possibly with a mustache, his long hair pulled back and secured with a rubber band. He must have enjoyed all the perks of local celebrity status, acting as an MC for various charity events. Radio personalities don't need even the routine good looks of the average TV anchorperson, but he'd still have name recognition value, probably his share of groupies as well. He was taking call-in requests. I felt my thoughts jump a track. Janice Kepler had mentioned Lorna's hanging out with some DJ in her late night roamings.
    I began to