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shadows, but not nearly enough to hide what had been done in this place. Trestle tables had been set up in long rows, and each of them bore a human body, or bits of bodies. Men and women had been opened up, and the parts dissected. White ribs gleamed in dark red meat. Piles of entrails steamed in the cool air. Heavy leather restraining straps held the bodies to the tables. They had been alive when the cutting began.
     
    The Baron had gone back to his old surgical experiments. Frankenstein, the living god of the scalpel.
     
    He was standing at the far end of the room, wearing a blood-spattered butcher’s apron over his cream suit, half-bent over the body on the table before him. It had been a young woman, though it was hard to tell that now. The Baron looked up at me, startled, his scalpel raised, dripping blood. We’d interrupted him at his work.
     
    “Get out,” he said. “You can’t be here. I’m doing important work here.”
     
    “This isn’t a surgery,” I said. “It’s a slaughter-house.”
     
    He straightened up, and, with almost prissy precision, put his scalpel down beside the woman’s body. “No,” he said calmly. “A slaughter-house is a place of death. This is a salon dedicated to life. Look beyond the obvious, Mr. Taylor. I am working to frustrate death, to cheat him of his victims. I take dead flesh and make it live again, all through my own efforts. You have no idea of the wonders and glories I’ve seen inside people.”
     
    He came out from behind the table to face Suzie and me, wiping the blood from his bare hands with a bit of rag. “Try to understand and appreciate what I’m doing here. I have gone far beyond merely duplicating nature. Now I seek to improve on her work. I use only the most perfect organs, reshaped and improved by surgical skills perfected over centuries. I . . . simplify things, removing all unnecessary details. And from these perfect parts I have built something new—a living creature completely in balance with itself. I see no reason why it should not live forever, and know lifetimes. It took me so long to understand . . . the key was to work not with corpses, but with the living! To harvest them for what I needed—the most fresh and vital tissues!”
     
    “How many?” I said, cutting him off roughly. There was something almost hypnotic in the brute certainty of his voice.
     
    “I don’t understand,” he said. “How many what?”
     
    “How many victims, you bastard! How many good men and women died at your hands, to make your perfect bloody creature?”
     
    He actually looked a little sulky, angry that I hadn’t got the point, even after he’d explained it all so carefully.
     
    “I really don’t know, Mr. Taylor. I don’t keep count. Why should I? It’s the parts that matter. It isn’t as if they were anyone important. Anyone who mattered. People go missing all the time in the Nightside, and no-one ever cares.”
     
    “He does,” said Suzie, unexpectedly. “Part of why I love him. He cares enough for both of us.”
     
    The Baron looked at her uncertainly, then turned his attention back to me. “Progress always has a price, Mr. Taylor. Nothing is ever gained without sacrifice. And I sacrificed them.” He gestured at all the bodies on all the tables, and smiled briefly. “I do so love an audience. A failing, I admit, this need to explain and justify myself... But I think I’ve rattled on quite long enough. Am I to understand that Joan Taylor and Stephen Shooter will not be joining us?”
     
    “No,” said Suzie. “They rest in pieces.”
     
    The Baron shrugged. “It doesn’t matter. I still have my nurses.”
     
    He snapped his fingers, and a whole army of bamboo nurses appeared out of the bare stone walls, snapping into existence, to fill the space between us and the Baron. They surged forward, bamboo hands reaching out to Suzie and to me, but this time I was prepared. I’d been waiting for them. I took the salamander egg from my